Category Archives: Travelling

Feminist Utopia panel

As me, Nalo Hopkinson, Scott and Ellen Klages walked from our hotel to the Wisconsin Historical Society Auditorium the heavens opened up. Best. Storm. Ever.

Well, except for the little detail that we were on our way to give a panel and wound up soaked through and knowing that our audience had been at least halved. Thank you so much to the eighty or so brave, brave souls who made it.

I think it went well, but I was wet, jet-lagged and concentrating hard on moderating so I can’t be sure. Go read Sarah Monette’s excellent account.

I can say that I was dead pleased that we didn’t just pat ourselves on the back and talk about how fabulous WisCon is (which it is), but also addressed some of the tensions around race and class that aren’t talked about nearly enough. And, indeed, once again we managed to raise the issue of class and then back the hell away from it. Cause, you know, scary!

And now on with the rest of WisCon!

Out of here (again)

In less than twenty-four hours we’ll be on a plane to NYC. And while I think NYC is a bloody excellent city, and I have many wonderful friends there I can’t wait to see, I’m sad about it. For the last few years I haven’t been anywhere for more than three months straight. And that place was San Miguel de Allende, not Sydney. And while San Miguel is also completely ace I’m dying to spend an uninterrupted LONG stretch of time in my hometown.

Scott says I always get like this just before we leave anywhere (San Miguel, Dunedin, Buenos Aires, NYC). He says I always say that I want to stay. Maybe. But I feel it even worse when it’s Sydney cause there’s no where I love as much in the world. For some photographic reasons why pop over to Scott’s blog (he’ll also explain my silence of the past few days, which I can’t go into without frothing at the mouth).

Right now the thought of being anywhere but Sydney is just too much. Even though we have a year of travel to many wonderful (or at least interesting) places ahead of us: Madison, NYC, New Orleans, Seattle, London and Bangkok (and I’m sure I’m missing some). So to soothe my aching heart I’ll share my new favouritest Sydney places.

Two Good Eggs: A cafe in Surry Hills that makes some of the best omelettes I’ve ever had. I’m particularly besotted with the corn, leek, basil & ricotta. Divine. Their other food is also amazing (especially the porridge with rhubarb) and Scott loves the coffee. Service is friendly and fun and they don’t stress if you sit there for hours reading the paper.

Forbes & Burton: It opened just about the same time we moved into Surry Hills and the food was amazing from the word go. The breakfasts (the salmon on potato cakes might make Mr Atkins cry, but it makes me very very happy) and lunches are fab, but it’s dinner that sends me into ecstasy. Every single dish is near perfect. I especially loved the tomato consomme with vegetables and goat’s cheese raviolo (that’s right just the one). The clear liquid was the very essence of summer.

The Hollywood Hotel: The best pub in Surry Hills, if not the world. I did have a plan to get to every pub in Surry Hills, but after our first beer at the Hollywood we never left. The place is gorgeous curvy art deco, they have James Squire on tap, the publican, Doris Goddard, used to be an actor (there are fab photos of her with Bob Hope on the walls), and the staff are all smart, witty and pour perfect beers. Sometimes they even have salt & vinegar chips. Tis the perfect place to hide from the dazzling sun. I can’t believe I don’t get to hang out there again till November! Where’s the justice?

If you’re ever in Sydney check ’em out. Say hi from me!

Now I resume packing. How come no matter how many times I pack and unpack I never get spectacularly good at it? Same with jetlag. Grrr.

Flying foxes at dusk

I’m sitting at my desk watching the flying foxes make their nightly voyage out from the Botanical Gardens. Hundreds of bat silhouettes against the darker-by-the-second sky.

Have I mentioned how much I love this flat? How sad I am that we’re leaving?

Well, bugger that! I refuse to give into melancholy. Here’s the view I’ll be enjoying soon:


© good friend, brand-new father, and all round artistic genius Robin Cave

That view’s not so bad as all that, is it? Even if there are no flying foxes, or rainbow lorikeets, or ibis, or cockatoos . . .

Off to the mountains

This year has been full on for me and Scott thus far. Oodles of work travel (Brisbane, San Francisco, New York City, Bologna, Brisbane), lots of new sales—Brazil (me), Denmark (Scott), Sweden (Scott)—and I just heard news that MorM and ML have sold in yet another market. Hopefully I’ll be able to tell you about it soon. We’re both on the shortlists for some pretty awesome awards—the Ethel Turner (me), the MLA’s Thumps Up (me, Scott), and the Locus Awards (Scott)—and Scott’s book Specials came out this week and has been ranked very high1 up on Amazon. The best any book of his has ever managed. And something else gobsmackingly amazing has happened to Scott that we’re hoping we’ll be able to tell you about next week. We’re dead happy!

So to celebrate we’re leaving our laptops behind and going on a mini holiday to the glorious Blue Mountains where we will go on long walks, play billiards on a real billiards table, eat scrumptious food, and drink divine wine and not check Specials‘ ranking on Amazon even once. Bliss!

Catch you in a few days.

PS Yes, I am massively behind with email. Sorry! I plan to catch up when I get back.

  1. As high as 232 overall and no. 5 on the bestselling teen books list. No. 2 if you just look at the teen sf/fantasy list. Does any of that mean anything you ask? Prolly not a huge amount given that Amazon’s only 10% of the US book market. But those numbers make us happy and give us the illusion that Specials is selling in vast numbers everywhere! []

Me & Scott in Bologna

Philip Stanton, one of the illustrators we met in Bologna, drew me and Scott while I delivered my keynote about “Regional Voice” for The Society of Children’s Book Writers & Illustrators Before Bologna conference. (Scott was up front with me to do the American and Scottish readings; I don’t do accents.)

It’s lovely to have this keepsake of the SCBWI conference (thanks, Philip!). It was my first time teaching creative writing (we taught a workshop on writing synopses) and it turns out that I really enjoy it. I had my doubts because I had to teach back when I was an academic and, well, there are things I have loved more in this life (like fourteen-hour flights in cattle class, for example). Turns out that teaching a roomfull of people who are keen, interested and really want to be there is an enjoyable and inspiring experience. I swear I learned new stuff about writing synopses from all the smart questions we were asked. Thanks for inviting us, Lawrence and Erzsi!

Giving the keynote was also fun. I’d already been thinking a lot about how you write different accents because my Magic or Madness trilogy has Australian and USian characters, but giving the lecture forced me to put my thoughts in some kind of order. It also gave me an excuse to mess about with writing stuff phoenetically. I started by writing how I think I pronounce “can’t”:

    carn’t

How Scott thinks I pronounce it:

    cahn’t

And how I reckon many USians (particularly Midwesterners and Californians) say it:

    caaaaaaaaaaaaan’t

The lecture also gave me an excuse to phoenetically render the Queen of England speaking of her spouse and herself:

    Mah hoosbahnd ahnd Ah

I have always wanted to share that with the world at large. I can die happy now.

Bologna Book Fair

Just back from Bologna (now that was a long journey home via Frankfurt & Singapore—so long our luggage decided to stay iin Frankfurt. Sigh.) Had a wonderful time. Bologna is gorgeous and the food is extraordinary. Truffles! Fresh blood orange juice every morning! I now understand the appeal of fresh mozarella di Bufala . . .

But you all want to know about the book fair, right? It’s totally geared to business. Unlike Book Expo America where you’re overwhelmed by how many books there are—and more particularly how many free books there are—at Bologna I was overwhelmed by how many meetings were going on. Every single stall, no matter how small, was set up with lots of desks, at every single one two people sat across from each other earnestly waving books around, consulting their notes, doing everything they could to sell and/or buy rights to books.

It’s very very intense. I now feel like I know more about the business than ever before. I finally understand what it is that scouts do and how they’re paid! It’s amazing how many middle men there are out there. I also learned all about how they make pop-up books—it takes a whole village in China. I learned that the publishing wisdom that short story collections don’t sell holds everywhere, that everyone—even the French—reckon that French YA books are too preachy and boring, that hardbacks are big in Sweden and non-existent in Brazil. I am dizzy with everything I have learnt!

There were hardly any other authors. I met one the whole time I was there. (Hello, Isobel!) There’s not a lot for us to do at the Fair except be taken out by our publishers and agents. I was entertained by Penguin (who are my US and Oz publishers), and by my Brazilian and French ones. I also went along to dinner/lunch/drinks with some of Scott‘s publishers and thus got to hear about the UK, Finnish, Swedish, Italian, Thai, and German versions of the business. Fascinating.

As authors we weren’t invited to any of the parties and had to crash by trailing along on our publishers’ coat tails. I started to feel weirdly like authors aren’t that important in the publishing scheme things, which is crazy because aren’t we what they’re buying and selling?

On the other hand, there are lots of illustrators who run around with their portfolios ready to wow publishers from all over the world. The illustrator exhibition was breathtakingly good (though sadly there were no exhibitors from the US or Australia) as was the one focussed on Hungarian art. Oh my! Stunning. I’m now desperate—desperate, I tell you—to do an illustrated book.

So if you’re a published author is it worth going?

I think so, but I think it’s most valuable if you’ve had at least a couple of foreign sales so you have publishers to meet with. It also helps if your home publisher is there. I met one author whose publisher wasn’t at the fair and who’d had no foreign sales and they seemed kind of lost and overwlemed. It must be even more overwhelming if you’re not yet published.

As a result of going to Bologna I have a much clearer idea of how my publishers work and who to go to with questions. I now know some of the key people at my Brazilian and French publishers which makes the whole being published in other languages seem less remote and even more fun. I wish I’d been able to meet all my publishers!

I definitely plan to return.

Bologna Blues

Or, you know, Bologna Blisses. Truffle grated on top of everything—even the gelato. Blood orange juice with breakfast every morning. Lots of sexy, stylish people walking around ciaoing one another. Lots of vespas. And so far every one of our foreign publishers has turned out to be lovely. Just as well cause that’s the main thing we’re doing here: meeting and eating.

The Bologna Book Fair is all business all the time. No swags of free books which means it’s not really the place for authors! Each booth is full of tables where the rights people sit and conduct meeting after meeting after meeting til their eyes look ready to dribble out of their skulls. If anything the agents in their hall of agents look even more frazzled. How is it possible to have ten meetings in one day?

I have lots and lots of fabulous news but most of it is embargoed. But as soon as I’m allowed I will spill all.

Web access continues expensive and intermittent. I’ll respond to all the emails/comments etc. when we’re back in Sydney.

Ciao, amici!

All Around the World . . .

Looks like 2006 is going to be the year of jetlag travelling for me and Mr Westerfeld. I just updated our appearances pages and it was quite a shock. Brisbane! Bologna! New Orleans! Barely two weeks goes by without us chooffing off somewhere and that’s with only the rock-solid confirmed events listed.

Not that I’m complaining, it’s fantabuloso being asked to do so many different events. And I’ve never been to New Orleans before. How fascinating is that going to be? Very.

In other news: I continue to be very very glad that I am in Sydney, not New York City.


Hiroko Masuike for The New York Times

And Australia thrashes Sri Lanka in the second final. Andrew Symonds gets his first ODI century in Australia and put a lock on his status as biggest Australian yob hero since Boonie. Well, except for Shane Warne, and, oh, never mind. We loves you, Symonds!

Here’s hoping the third final will be a lot closer and not merely a matter of who wins the toss and elects to bat. Oh, how I miss the test cricket . . .

The Art of the Synopsis

As many people have noted Miss Snark is providing commentary on more than a hundred synopses. If you’re at all interested in a career as a writer or the publishing industry you should definitely take a squiz.

As Scott and me’ll be giving a workshop on writing these buggers in March (in Bologna!) I’ve been following Miss Snark’s critques and the resulting discussions closely. I found Diana Peterfreund’s posts particularly useful, especially her reminder to everyone that even when you’re already a published writer you still have to write ’em:

Often, being published means that your synopsis is even more important, for instead of merely trying to get an editor to read the manuscript on the basis of your synopsis, you’re trying to get them to lay down money for a manuscript you haven’t even written because the synopsis makes it sound cool. In some contracts, there’s a whole chunk of money reserved until you turn in your synopsis or outline or what have you. At many houses, it’s the synopsis, and not the manuscript, that is given to the art and marketing departments. It’s the synopsis that tells the PR person what to put in the press release, the flap copy writer what to put in the blurb, etc. etc. It’s the synopsis that helps the marketing department decide how to present your book to the public. It’s kinda important.

I can vouch for that. I sold the Magic or Madness trilogy on the basis of a proposal (including synopsis) and the first three chapters. In the contract I get paid when I turn in the synopsis for each book and then on publication. So, even though I’d already written the synopsis of the whole series I had to write a new one for books 2 and 3.

I nagged and nagged my editors until they let me out of writing a synopsis for the third book. I don’t hate writing them; I’m just lazy. Instead I had a meeting about the book with my editors and we all took lots of notes and gossiped. Much fun. I was feeling very cunning and pleased with myself for having substituted writing a synopsis with a fun gossip session, but then some publishers interested in foreign-language rights for the whole trilogy requested, you guessed it, a synopsis for book 3. Sucked in, Justine.

And because I was three-quarters of the way through writing Magic or Madness 3 when I had to turn around and write the synopsis, I found it very hard going. For me it’s much easier to write the synop first. If I’ve already written the book, or worse, haven’t quite finished it, then I’m all bogged down in the detail and writing a decent synop is agony.

From now on I’ll be writing a synop early on in the writing of each new novel—or, you know, I’ll intend to—because sooner or later someone’s going to want one out of me. And it doesn’t matter if it’s not an exact snapshot of the book—as Diana says quoting one of her teachers: “a synopsis is a sales tool”.

So there you have it: the synopsis is a mostly unavoidable part of selling novels. Live with it!

Aurealis Awards Redux

Just back from Byron and it turns out that there are, in fact, five books on the shortlist for the Aurealis Award for best Young Adult book of the year. (Thanks for the heads up, Mr Ben Payne.) The missing title was Isobel Carmody’s Alyzon Whitestar. Can’t wait to read both Alyzon and Anthony Eaton’s Nightpeople.

Byron Bay was beautamous and excellent. More when not knackered.

Off to Byron, Whingeing about Deadlines, Boasting about My Sister, and Some Lovely News (updated)

Sorry about the not blogging of late, especially with you lot being all interesting in the comments (I’ve finally gone through and responded, bless you all). I was kept from it by boring, boring non-internets stuff and the looming deadline. Or rather, panic about the looming deadline. Corey asked of my deadline how soon “scary soon” is: 2 January, which is 17 days away, and I’m about 15-20 thou words short of the end. Also, I’d like to, you know, revise and rewrite before I send it off.

Ordinarily I leave myself a month or more for that, and while I’m revising I send it out to my first readers for comments. There won’t be none of that this time, which worries me deeply. Maybe I can send to first readers at the same time as sending to my editors? Hmmm. Don’t mind my panicking out loud here. Any suggestions for creating time pockets or outsourcing some of the writing are very welcome.

Today we’re off to Byron Bay for almost a week courtesy of my hard-working and very talented sister, Niki Bern, who is so very cool that one of her shots is the current front cover of Cinefex magazine. How amazing is that? Here’s a better look at her shot:

For Niki making the front cover of Cinefex is even better than if I got the front cover and a rave review in The New York Times Book Review. It’s beyond cool! My sister is ubercool! And she’s just hired a house in Byron on the beach for us all to hang out and relax. I ask you: does anyone have a better sister than I do? I didn’t think so. Now, if only I didn’t have to work the whole time I’m there . . .

The lovely news is that Magic or Madness is a finalist for the Aurealis Award for Young Adult novel and so are two (!) of Scott’s books: Peeps and Uglies! Between us we make up three quarters [update: three fifths] of the short list. Most excellent, eh? The other quarter [update: one fifth] is Anthony Eaton for Nightpeople [update: and Isobel Carmody’s Alyzon Whitestar] both of which we’ll be grabbing copies of asap. To make the lovely news even lovelier many our friends are also nominated in other categories: Cat, Sean, Rjurik, and Garth, as well as Rob (stories he edited).

Oh, and one last thing: First Test against South Africa starts at the WACA today. Kill ’em, boys! Aussie! Aussie! Aussie! Oi! Oi! Oi!

Many Things

Hung out with Agnes and Lili of the Centre for Youth Literature and talked books. Tried to remember all the cool, hot YA books of this year and failed, so raved about A Rabbit’s Eyes yet again. Agnes raved about Adam Rapp and his books 33 snowfish and Under the Wolf, Under the Dog. I want to read them right now.

I found out that Magic or Madness is a Magpies pick of 2005 for older readers. That’s the second best book of the year list for MorM. How bout that?

Afternoon spent at the Penguin Australia offices where we were champagned and cheesed and got to meet more of everybody. Yay all of them! And had our very first meeting with the sales people, which was fabulous. We got to sit and talk about us and our books, which is pretty much all we talk about anyways. Much fun.

Last of all dinner with the mighty Tessa and wild-eyed Rjurik. Very very very silly. They are excellent.

Writers are the Best Whingers

Just read and giggled all over this post by Diana Peterfreund in which she wittily whinges about all the work she has to do (and skewers Star Wars). It struck a chord cause I was just about to whinge about the pageproofs of Daughters of Earth which just landed in my life with a very heavy thunk.

Aaaaaaaaaaaarrrrrrrrrggggggggghhhhhhhhhhhhh!!!!!!!!!

Diana (I’m taking liberties referring to her by first name, I don’t actually know her, but I read her fabbie blog, so I feel like I know her) starts by referring to a harder working writer who has family on top of it all, whereas Diana just has her sailor boy and a full-time job. I’m going to lower the bar still further: I have neither children nor pets nor a job (other than writing).

And yet I feel my case is worse than either of theirs because I am suffering (horribly) from post-paradise-adjustment syndrome (or ppas). Just days ago I was in Mexico living an admin-free existence: no shopping, no housecleaning, no dishwashing, no cooking, no laundry, no paying bills, no nothing—except writing. Luz Barron did all that for me, not to mention telling me excellent stories, mending my clothes (!), and taking me out to all the best fun bars in San Miguel. Luz made me food like this:


Mushroom-stuffed chillies on tomatoes & onions served with plantain & pomegranate & garlic rice.

Now I’m back in reality, but where is the counselling and social services team to help me through my ppas? No where! How am I supposed to cope without Luz? How am I supposed to live in the real world where I have to finish Magic! Magic! Magic! Oi! Oi! Oi, the third Magic or Madness book, go through the staggeringly long Daughters proofs, finish the great Australian mangosteen cricket Elvis fairy book, write the proposal for this jaw-droppingly brilliant idea I just had and do all that adminy stuff!? How is that possible?!

You know I used to have no sympathy for rich folk like Paris Hilton et al, what with their silver spoons wedged firmly down their throats. Rich bastards, I used to think, but now I know the truth: without their staff they’re helpless. Look what happens when someone like Paris takes dressing into her own hands. Not pretty, is it? Imagine her trying to get it together to make her own coffee. Or figure out how a washing machine works. Wow. Her life is really, really hard. Not quite as hard as mine given that she’s still in paradise and not in the land of ppas. But how much worse will it be for poor old Paris when her fall comes? How hideous will her ppas be?

Makes ya think, don’t it?

Wow

So, last night we got to hang out with the smartest group of folks I’ve hung out with in an age (and I hang with much smartness, let me tell you). At the Teen section of Elizabeth Library, New Jersey, we read a little bit, we told anecdotes, got asked very smart and very funny questions, I got to talk Spanish, and afterwards we got to eat great pasta and drink good wine and enjoy more ace conversation.

I read from my great Australian cricket mangosteen Elvis fairy novel, which I feared would tank with the seventeen-year-olds, but they laughed harder than the Brooklyn audience. Yay! I finally wrote something that cracks people up. And some of them knew about cricket. One guy plays it with his Pakistani neighbours. How cool is that? And many loved basketball and knew about the WNBA, not just the NBA! Heaven.

Scott read from Pretties which kind of tanked, and then from Peeps, which went over huge guns. He read about toxoplasma and there was much speculation about who has the parasite and who doesn’t. (Don’t know what I’m talking about? Then you’ll have to read the book, won’t you?) So many of them had read at least one of Scott’s books. One had read all of them and was full of smart questions. I made Scott do his Donald Duck voice and it slayed them best of all (he can harmonise with himself—next time you see him, just ask—he loves to perform on command). There was a queue of people wanting to have their photo taken with Scott. How fab is that?

And at the end, the library gave everyone a copy of one of my books (they had a choice of Magic or Madness or Magic Lessons—yup, Penguin genorously gave them a whole stack of galleys) and one of Scott’s many books. Though some tried sneakily to take two of Scott’s books. The competition over copies of Peeps was intense. We signed for all of them and thus got to talk one on one to everyone. Great idea, no? It was fabulous fun and I want to do it again.

Have I ever mentioned how much I love libraries? And librarians? And people who love libraries and librarians? No? Well, I really, really, really do.

Atlantic City? No, thanks. (updated)

I don’t want to rubbish a whole city, especially when I was only there for a few hours, but Atlantic City is an erky perky bleah of a place. Friends warned me it was a shithole—I had no idea they were being kind. It’s ugly, full of the most hideous buildings ever built and populated by zombie gamblers, who are served by an army of twelve-year-old incompetent staff. Once you’re inside one of the casinos it’s almost impossible to get out again. All signs lead to more gambling areas. I’m convinced that hell will be nothing but Atlantic City casinos.

This is heresy for an Australian, but, I hate gambling. I love cards and I’ll bet on them, but not with money. Never for money. Betting with money turns people into glassy-eyed zombies, and call me old-fasthioned, but I prefer my zombies in Romero films, thank you very much.

So why were we in Atlantic City? To attend the New Atlantic Independent Booksellers book fair, which other than its location in a hellspawn casino, was a lot of fun. We met the fabulous Penguin reps, Holly and Todd, who looked after us excellently well and told great publishing stories; we hung out with fellow YA writers, Maureen Johnson and Melissa Kantor; we both signed a bunch of our books, Peeps and Magic or Madness, and we snaffled up many free books. The gems of my pile—other than Maureen’s and Melissa’s books—were:

Small Steps by Louis Sachar, which is the sequel to Holes! Woo hoo! I have the sequel to Holes and you don’t! Ha! Ha! Ha!

The Weather Makers by Tim Flannery. I adore Flannery. He’s frequently interviewed back home about science and enviromental issues and is the smartest, most interesting, and clearest explainers of such issues I’ve ever heard. He also writes really, really well. I can’t wait to read this one, not least because I know it’s going to help me understand what happened with hurricane Katrina.

Today, we go back to New Jersey:

7:00-8:30PM
Elizabeth Main Library
11 S. Broad St., Elizabeth
New Jersey

We’ll probably read and we’ll definitely chat and generally be our entertaining selves. We’ve only done one library event before but it was fabulous, so I’m really looking forward to this.

Oh, and if you’re from Atlantic City? My condolences.

Update: I am very stupid. I wrote a blog entry about casinos, but my spam filter is set to nuke any comments that contain the word “casino”. I apologise to anyone who had their comment nuked. You can post now. Though given the vast tide of casino spam I get your comment will go through to moderation, which I truly rooly honestly will check. Rooly soon.

Back in the US of A (briefly)

After a month of no motorised transport there was a vast deal today. Cars, planes, taxis. We went from San Miguel to Mexico City to New York City. We are tired. Tomorrow there will be trains: to Brooklyn and back (see previous post). The day after that buses to Atlantic City. It’ll be broom broom broom all the time. I will pine for walks on cobble-stoned streets.

Since I promised Cherie that I’d blog every day once I left Mexico. I’m blogging at this late hour despite fatigue. How good am I? Say thank you, Cherie. Also tomorrow seems to be too chockers for blogging so I thought I’d sneak it in early.

Things that i achieved in San Miguel:

photos of hummingbirds
grew actual fingernails
50 thousand words of final Magic or Madness book
Scott and me arranged mercy killing of one tiny, tiny, very hungry, very lame kitten (I’d tell you more but I’d start crying)

Things that have happened in the world in my absence that aren’t horrible and tear-inducing:

Australia thrashed the World XI in one-day fixtures and look well placed in one-off six-day test, mostly on account of the glories of the spin twins Warne and MacGill

My sister had her time working on King Kong extended—Yay!!!

I’m sure there were other things but I’m too tired to think.

Sleep now.

Teen Read Week

Next week is Teen Read Week and me and Scott will be doing a bunch of readings and signings around the traps.

First up, the very day after we get back from Mexico, so expect us to be full of Mexican cheer (I plan to wear my Mexican cowboy hat and may do the entire reading in Spanish):

Sunday 16 October, 6:00PM
Justine Larbalestier
Bennett Madison
Scott Westerfeld
Barbès Reading Series
376 Ninth Street (at 6th Ave.)
Barbès Bar
Park Slope, Brooklyn
New York

I’ll be reading from Magic Lessons the sequel to Magic or Madness in a way that gives absolutely nothing away if you haven’t read the first book. I’ll also read a wee bit from a brand-new novel I’ve been working on. Scott will read from Peeps in his authentic Texan accent.

Monday 17 October
New Atlantic Independent Bookseller Association Trade Show
The Tropicana Resort & Casino
Brighton & The Boardwalk
Atlantic City
2:30-3:00: Scott signs 75 copies of Peeps in the author autographing area table #3.
They’ll also be giving away copies of Magic or Madness at the Penguin booth #204. Yay! Free books! I plan to snaffle up many (though not my own book, obviously).

Tuesday 18 October, 5:30-7:30PM
Scott reads at Books of Wonder
18 West 18th St
Manhattan
New York

Wednesday 19 October, 7:00–8:30 p.m.
Author Event:
Meet Scott Westerfeld and Justine Larbalestier
Elizabeth Main Library
11 S. Broad St., Elizabeth
New Jersey

So, it’s quite the busy week for us. Hope we get to see some of you.

Cactusland

We went out to San Miguel’s botanical gardens, a large and beautiful cactus preserve. There have been many changes since the last time we visited in February 2004. First up there are new dunnies. La Bond and Mr Rowe will appreciate the difference. Eighteen months ago there was just one: a tiny tin shed without dunny paper or the ability to flush convincingly. Now it is a thing of splendour. Behold:

Also it comes complete with lovely guardian dog.

Last time we visited it hadn’t rained in months. This time it was autumn after much rain.

Before:

Now:

And the cactus is in bloom:

Remind me why we’re leaving again?

hummingbird or hoax?

I finally did it. I finally got a photo of a hummingbird. Hell, I got two. What kind of a genius, am I? And it required no patience or planning at all. I just happened to be in the kitchen with the camera.


You see it? There in the centre right of the photo, just behind the pale purple flowers.

No? Well how about in this photo:

This time look just left of the pale purple flowers.

Okay then, here’s the first photo again, but this time cropped with the hummingbird dead centre:

And the second, also cropped and in the centre:

See it? Isn’t that cool? You don’t see it? Look closer, damn it! See the grey blur? See the wings? That’s the hummingbird. Bloody hell, those buggers move fast! More than a gazillion wing beats per minute, I reckon.

And you know what? I don’t care if you can’t see the hummingbird. I know it’s there. That’s all that matters. I have achieved the one thing I came to San Miguel to achieve: I have taken a photo of a hummingbird.

I loves them. I do.

P.S. Top of my current want list? A decent digi camera. You know, with a zoom and stuff.

Little Gift

This morning a hummingbird hovered outside the window directly in front of me for more than ten seconds. I got to see the tiny bits of green mixed in with its grey and brown. I got to see just how fast its wings vibrate. How much slower the tail feathers move. How long and thin its beak. How tiny it is: smaller than the palm of my hand.

Patrick O’Leary is right, you cannot think ill of a hummingbird. I withdraw my earlier comments.

Everything here in San Miguel continues good and well. We continue to eat way too many pastries, particularly the ones with pecans. We continue to write many, many words. I think Scott’s book is his best YA yet. And I remain happy with my own.

I shall be sad to leave.

Cake, Champagne, Pamplonada

Still having fun, still writing up a storm. I believe I’m now a third of the way into Magic or Madness III (and, yes, I have my fingers crossed that, finally, one of the trilogy will have the preferred title: Magic! Magic! Magic! Oi! Oi! Oi!). Being a third in works out well as we’re now a third of the way into our stay here. How bout that?

Was me birthday last week and Luz’s lovely sister baked me a cake:

It was dead good. Champagne was drunk. Poker was played. Excellent presents were received. Not to mention all the wonderful birthday calls. And I wrote a bunch of words. Yay, me.

Also, just to add to the birthday celebrations ’twas the week of Pamplonada, the Mexican running of the bulls. This meant even more rockets going off than usual as well as lots of wealthy (and a few not so wealthy) folk from all over Mexico descending on San Miguel for three or four days of drinking, fornicating, bull taunting, and, in some cases, broken bones and concussions. Imagine a slightly older schoolies week with bulls (for you Usian-types think spring break, Fort Lauderdale and bulls). The average age seemed to be early twenties.

Many of the newcomers were from Mexico City, invoking a mixture of awe and disgust in the locals as only wealthy, young, glossy folk from the big city can. I overheard one young local lass, saying to her friends,

“I do, too, have friends from Mexico [City]! Lots of them. You’ll see.”

“Who cares?” replied her friend. “They’re all [rough translation] unpleasant people.”

The uniform for the girls was tight jeans, high heel boots, shirt and cowboy hat. For the boys: jeans, boots, white shirt/T-shirt with red kerchief and cowboy hat. It’s amazing how such a simple look can speaks volumes as to class and wealth.

The Pamplonada, itself, was not at all what I was expecting. I’d been imagining a large amount of bulls let out at once and blokes in front running like buggery. In San Miguel they let one bull out at a time, the huge crowd parts, while all the bravest, cockiest and stupidest blokes do their best to provoke the bull into going them, waving tiny red kerchiefs, or big, full-on matador cape thingies, or pulling the bull’s tale. The bull, increasingly irritated by this behaviour, will then oblige by tossing one or more of them into the air, or kicking the fool standing behind him. One of the bulls was so annoyed by one particular bloke he threw him in the air, then tried to pick him up again several times, finally trampling him. Score many for the bull.

Eventually the bull will get bored or start to run off around the circuit. They then release the second bull and so on, until there are eight bulls being provoked, getting shitty and sending the occasional bloke into the nearby ambulances. Most of the bulls emerged fulling prepared to go anyone remotely near them. This usually turned out to be the blokes who’d let them out of their enclosure.

It was impossible not to barrack for the bulls. Fortunately, they seemed to aquit themselves well. Yay, bulls!

P.S. Thanks everyone for all the wonderful birthday messages! Touched me heart, it did. When I’m online for more than a few hours every three or four days I’ll reply.

Exercises in Futility

I decided it would be very cool to get a photograph of a hummingbird. And, indeed, it would be. But the gap between seeing the hummingbird, grabbing the camera, turning the crappy thing on, having it pointed in the right direction is so ridiculously long, that by then the hummingbird is five gardens over.

Apparently nature photography is tricky. Who knew?

Here’s one of my hummingbird shots. (I won’t bore you with all of them):


Notice the glaring absence of said humingbird.

I hereby give up. Stupid hummingbirds. I for one do not welcome our hummingbird overlords. I spit on their gravy.

San Miguel: End of Day 6

Word count: 15,000

Average word count: 2,500 a day1

We arrived in the middle of the anniversary of the first Mexican revolution. Many days of holidays in a row. We arrived to cars being shut out from the Jardin and centre of town (bliss!), to fireworks and rockets going off every night (pretty!), to so many mariachis we could hear them all the way out to our place (besame mucho!), to people dancing in the streets in period costume (pretty!). To quiet mornings and days (except for the occasional rocket blasts) and melodiously noisy nights. ¡Viva Mexico!

Until Monday morning 7AM, holidays over and the the builders go back to work next door. Eighteen months ago when we first rented this house, they were laying the foundations. They’re still not finished. They work on and off from 7AM until around 5PM. Sometimes there are many of them, sometimes just one forlorn guy with a hammer. The best thing is they use no jackhammers, no pneumatic drills, no nothing powered by electricity. The bad thing is if they had they might be finished by now . . . I just stick headphones on and turn the music up a little louder (right now, listening to songs with the word “don’t”; in the title—I’m psyching the builders out).

So far I’ve heard the first four chapters of Scott’s new novel. It rocks. Out loud! And, yes, it is set in the Peeps universe. Cool, eh?

Have I mentioned that I love San Miguel? So green, so many flowers, butterflies, hummingbirds—hummingbirds! I think they’re my favourite birds in all the world. We don’t have them back home, but here I see several every day, just outside the window. So little, so powerful, so elegant. Ahhh . . . Don’t think I ever want to leave.


The view from where I sit to write. Look close and see the wicker couch I rest my feet on and the top of my laptop.


The other view from where I write. Flowers! Pretty!

  1. Look, I know word counts are spectacularly boring to everyone accept the person counting the words, but, mate, I’m bloody screaming along! Normally, when I’m starting a book I can barely scrape a thousand words a day together. I can’t believe how the words are pouring out of me! I mean, it’s the final book of me trilogy, I thought it was going to be horrible agony. I thought I had no idea what was going to happen. And here the book is practically writing itself! Maaate! Fingers crossed that I have not spoken too soon. Not superstitious, me. []

Apologies

We’re only getting to the internet place once every three days (or so) and there’s not enough time for me to do all the internetty stuff I wanna. Have to do all the biz, admin, and research stuff first. Sigh. So, I’m behind with all my fun correspondence. If I haven’t writ it don’t mean the love is gone. Honest. I haven’t read anyone’s blog, or newspapers, or anything since we left NYC. I have no idea what’s happening in Sydney, NYC, or the rest of the world, or the blogsphere, or anywhere except our little bit of San Miguel. (Ask me about Luz’s life and I can tell you anything you wanna know! Short version: she’s doing great.) I’ll catch up some time in November. I hope.

San Miguel: End of Day 3

Thus far 10,000 words have been writ of the third Magic or Madness book.

Everything here is more beautiful than I remember on account of it being September the very best month of all.

The food is still excellent. Hibiscus quesadillas rule!

Brain unable to produce more words.

Thanks for all good wishes.

So Long, Farewell, Auf Wiedersehen, Goodnight . . .

In a few short hours, we’re off to Mexico. First Mexico City, where I’ve never been before, and hope to have a wee spot of amusement, and then San Miguel de Allende where we will be checking into writers’ boot camp and churning out zillions a word of day while being whipped and fed nothing but gruel and water. But at the end of the horror, there will be two new Larbalestier and Westerfeld novels. So it’ll be worth it . . .

If I can escape and get somewhere internety, I’ll blog. If not, you’ll know that I’ll be writing the good write!

Wish me luck.

A Proper Con Report

I’ve been receiving some mail that is a little, um, miffed that my so-called con report doesn’t talk about any of the panels and readings I attended, or people I hung out with (not true: I mentioned Russ, Darren, Fiona and Richard), or give any sense of what the con was actually like.

a) That’s what my con was like: a cricketfest.

b) Sorry.

Here are people I hung out with who did write reports: Gwenda, Jed, Lauren, Scalzi.

Other than the cricket and catching up with my friends, my highlight was getting to hang out and gossip with Connie Willis—yes, I’m a pathetic fan girl—and you know what? As good a writer as she is I think I prefer listening to her telling stories. And I don’t care about what. She’s the best ranconteur I’ve ever met. And I know from ranconies.

Georgette Heyer

I read Cotillion while on the recent London/Glasgow trip. Yes, that’s right in eleven days I was able to read only one book. That should give you a measure of how busy the trip was and how knackered I was at the end of each day.

Anyway. I was delighted by the response to my recent throw away comments on Heyer, but because I was on said trip with scanty interweb thingy connectivity I was never able to respond to the response. Sob.

In those discussions Harriet mentioned Cotillion as one of her favourites which spurred me to pick it up for a reread. I adore the book. But I didn’t always. On my first read as a teenager I found it a terrrible disappointment for the very reason I love it now: Heyer buggers around with your expectations, the hero isn’t who the teenage me wanted it to be. Why, he isn’t even in the petticoat line! She shows the reader exactly how selfish and awful a rake really would’ve been. The book is delicious and clever and subversive and funny and full of delight at messing with her own formula. Divine!

As are Frederica and Venetia. (And if I could stand to reread it I’d probably find the same of The Grand Sophy.) All those books were first published in the 1950s or early 1960s. Many years after The Black Moth was first published. By which time she must’ve been well and truly ready to mess around with the genre she pretty much created.

I’m dying to reread all her books in chronological order to see if this theory is even remotely true. Tragically, the rest of my Heyers are back in Sydney in storage. And more tragically I have many other books I actually have to read, not to mention the ones I have to write. Like this one and the final Magic or Madness book. Sigh.

CricketCon

Look, I know it was supposed to be all about science fiction blah blah blah, but I spent the five days of Glasgow’s WorldCon thinking, talking, breathing, and whenever possible (sadly not nearly enough) watching the cricket. Blissful. And I even had the luxury of being able to talk about it with actual Australians! Thanks to Russ and Darren and Fiona and the rest of the many Aussies I wasn’t stuck talking about it with gloating poms preening about their victory barely snatched from the jaws of defeat. (Though to be honest my best cricket convos were with Justina‘s fabulous and very English husband, Richard.)

Almost as good, I got to read about it in actual offline newspapers. There are some good things to say about the New York Times but the coverage of cricket is shockingly inadequate. Not quite as bad as their coverage of the women’s basketball, but bad. The Guardian on the other hand. Ah, what a great great newspaper. Pages and pages and pages all about Freddie and Shane and Messers Ponting and Strauss and the rest of them. Some of it writ by the incomparable Gideon Haigh (bless him).

The second test was unbeliveably exciting: Australia and England in their different ways managed to make a dog’s and an angel’s breakfast of it. In the end I’m glad England won.

Yup, you heard me.

England has gone cricket mad. Sales of cricket gear is through the roof, littlies are signing up to play cricket at their local clubs in record numbers, pubs are full to overflowing of people piling in to follow the day’s play. A dying sport has been revitalised. I’ve said it before I’ll support the baggy greens with my dying breath, but I love cricket above all.

Just Quickly

We’re in Glasgow. It’s gorgeous and fun and you just can’t get bored by Charles Rennie Mackintosh.

Trip so far:

London: great (though bloody expensive) food (Niki and Lauren & Andrew have been most excellent guides), brilliant markets, cheap clothes (bought the most gorgeous 15 pound skirt). It’s not the city I remember, though I did get some awe-inspiring rudeness—so it hasn’t completely changed. Best restaurant was David Thompson’s Thai one in Soho (I forget the name). Thompson’s Australia’s guru of Thai food. Was wonderful watching Lauren and Andrew’s delight in finally trying decent Thai food. I also gave them their very first mangosteens. Heavenly!

Glasgow: gorgeous, love all the Rennie Mackintosh everywhere. Had the most brilliant black pud and organic cider at Cafe Gandolfi. Cider in the UK is the best I’ve had in my entire life. Superb.

And tonight WorldCon begins. In the meantime the second test is on the tellie and Warne is bowling beautiful.

This is the life.

(Internet access continues very intermittent.)

(Oh and the time date for this is NYC time. Couldn’t be arsed changing it. Time here is 2:34PM.)

Off to London

Done packing. Car gets here in 30 mins. Then it’s into the big jetplane and across the skies till we get to London where my sister lives. Can’t wait.

Except that it’s cold there. Sob. And even colder in Glasgow. Double sob. Just as it was getting to be a proper summer here we go somewhere damp and cold. What were we thinking?

Not sure what my internet access will be. Dunno if I’ll post. But I’ve become a blogging addict so if I can I will.

Enjoy yourselves while I’m gone.

Playing Wife

Scott Westerfeld is the final week tutor at Clarion South, an intensive six-week writing workshop for sf and fantasy writers. And I’m the tutor’s wife. This involves getting up at the same ungodly hour he does to make him breakfast, while he goes over his notes and scribbles on the stories that will be critiqued that morning. I kiss him goodbye as he grabs his bag and heads out the door. "Have a good day at work, sweetheart," I say.

"Sweetheart" is not a word that normally passes my lips. To me Scott is Scott not darling, sweetie, sugar, possum, love or anything else. Clearly, this playing wife thing is destroying my brain. I’ll start wearing gingham and aprons and long for a house with a white picket fence. I’ve been making him lunch and dinner as well as breakfast and doing all the washing up, cleaning, tidying and laundry. It’s just exhausting.

Or it would be if I was a bit more conshie about the whole thing. Fortunately I’m not. I let the dishes sit. And my version of tidying is more of a gather and dump process. I haven’t gone near the mop or vacuum cleaner or dusted or anything that requires true exertion. I’m a pretty crap wife, really.

One night instead of rushing back to cook dinner for knackered husband I sit around and drink beer with the students, gossiping and swatting blood-bloated mozzies, before belatedly dashing back to the flat and taking over the dinner-making proceedings from the exhausted and ravenously hungry husband. "Is that beer on your breath?" he asks, suspiciously. "I was near people who were drinking beer," I answer honestly. Scott is turning into a husband.

Neither of us quite realised how much work a Clarion workshop involves. Scott presides over the crit room from 9AM to 1PM where he and the 17 students dissect the day’s stories and he dispenses pearlers about writing that involve the following phrases: "first shoe", "Brechtian law of dialogue", "information assymetery", and "sweating commas". The students diligently write down everything he says. I worry this will go to his head.

Sometime between 1:10 and 1:30PM he comes home for lunch. We eat, briefly converse, then in the few minutes left before he begins the one-on-one sessions with students that will occupy the rest of the day (usually three or four one-hour session), he plunges into reading and re-reading more of their stories.

He returns for dinner. We eat and exchange possibly as many as fifty words, before he starts reading the next day’s stories: all 20,000 words of them. Long before he’s finished I go to bed, read, pass out.

While he’s away critiquing and being wise, I’ve been rewriting the Magic or Madness sequel, working on the Daughters of Earth anthology or slacking off. Slacking off is best. I had a lovely lunch with Kim Wilkins where we talked writing, babies, academia and frocks and I managed to douse myself with a glass of champagne, which the kind restaurant replaced without charge. I’d had only one sip before it filled my lap.

Mostly I went into the city to visit my mate, Ron Serdiuk, at his wonderful sf, fantasy and crime bookshop, Pulp Fiction. We gossiped and I watched him sell four, five, six or more books to customers who come in just looking for the one. Ron’s passionate and knowledgeable about those genres and it shows. He pays attention to what his customers do and don’t like and recommends accordingly. Very dangerous indeed. Yes, I bought books too. Louise Welsh’s latest (Ron got me hooked by loaning me The Cutting Room) and Devil in the White City.

I also helped out the young man from Mallorca with very little English who came in looking for Spanish-language books. I’m pretty sure I translated Ron’s directions to a shop that sells such books reasonably accurately. Though I do tend to get left and right mixed up. Still, we gave him a map, and I got to talk Spanish. By the time I got home I was exhausted. I took one look at Scott and revised my assessment of my fatigue to mildly peaked.

Yesterday I helped out Grace Dugan, Clarion South’s co-founder, with printing out the stories for the following day. There were four of them ranging in length from nine pages to thirty-seven. Just under 20,000 words. The author of the shortest manuscript neglected to add page numbers so I numbered the 153 pages by hand. The printer freaked out several times and started printing a line of garbage at the top of otherwise blank pages and would not stop until we’d done everything we could think of to fix it several times. At which point the stapler started buggerising around with us. Two hours later we had 72 copies of the stories to distribute to students and tutor. It gave me a tiny glimpse of the hard work that makes this workshop run. The conveners: Robert Dobson, Kate Eltham (the other co-founder), Heather Gent and Robert Hoge look every bit as tired as the students.

To recover from the printing ordeal I went swimming with Grace and Lily Chrywenstrom (one of this year’s students). It was rather gorgeous, despite the crushing disappointment of a short-course pool. I expect such mingy pools in the USA, but in Australia! The horror. The day was balmy and humid and lovely, the water warm strewn with leaves from the surrounding gum trees. We swam, laughed, floated, sank and gossiped, while I tested my new boardies, rashie and fins, and swam fast as Thorpie (or almost). We agreed that swimming is good, so is writing, and that hard work is best avoided. The last one may just have been me.

Grace led us to the path through the bush that connects the two Griffith Uni campuses, Nathan (where the workshop is held) and Mount Gravatt (where the swimming pool is), and we walked back past gums and paperbarks and grass trees and other plants that Grace knew the names for but I’ve now forgotten. We saw butterflies, bush turkeys, heard many different birds calling to one another, but saw only crows which we dubbed singed rainbow lorikeets (you had to be there). The walk was even lovelier than the swim.

Earlier in the week I spent forty minutes stalking a goanna, just shy of two metres long from head to tip of tail. It took a while to find just the right stalking distance; every time I got too close it froze, clearly hoping I would stop seeing it and go away. Only at ten metres did it believe I was gone. I watched the goanna being divebombed by birds when it ventured too close to their nests, and at last reaching its goal: a garbage bin. It climbed in and out of the bin always having some part of its body peeking out, tail, hind legs, or head, snout and eyes. A strange clicking hissing sound came from inside as if the goanna were torturing a cicada.

The goanna waddled rather than walked, its stocky limbs moving in a circular motion that made it resemble one of Tolkien’s grumpy dwarves. When it was startled by a group of US exchange students it ran half way up a tree, where it froze in its you-can’t-see-me pose. The Americans were transfixed, unable to believe the size of it. I told them it was still a baby and would grow much much bigger. Who knows? It may even be true.

When Ellen Klages, another—despite her many acclaimed stories, recent first novel sale (to Sharyn November at Penguin USA) and growing reputation—Clarion student, stumbled across a goanna, it reared up on its hind legs and hissed at her. Surely it can’t have been the same one. It was strange seeing Ellen here in Australia. I’ve known her for years, but only in North America, and only at conventions. This is the first time we’ve hung out together when her accent has been the odd one out. It’s most peculiar. She’s as exhausted and worn out as all the other students, who’ve not only been reading and critting the 20 thousand words of stories every day for the last six weeks, but have been writing a sizeable number of them too. I’ve never seen her happier.

It’s just after midnight, the beginning of Friday, the last day of Clarion South 2005. Scott’s reading the last and longest story for tomorrow. He’s not a fast reader. It’ll be at least an hour before he crawls into bed. The bags under his eyes are meeting up with the stubble on his cheeks. It’s not a good look.

He arrived knackered, worn done by a long hard year of writing way too many books, all of them written to his ridiculously high standards. I’m still not sure how he managed it. The Clarion South experience hasn’t exactly been a rest cure, yet he’s loving it here. He uses the word "rejuvenated" frequently, even though he’s so tired he stumbles over that many syllables. He’s full of praise for the smarts, sharpness, energy, creativity, and dedication of his students: Mark Barnes, Nike Bourke, Nathan Burrage, Alison Chan, Lily Chrywenstrom, Suzanne Church, Shane Jiraiya Cummings, Rjurik Davidson, Evan Dean, Ellen Klages, Tessa Kum, Deborah McDonnell, Anne Mok, Emma Munro, Trevor Stafford, Susan Wardle, and Kenrick Yoshida. He says he’s learned as much about writing as they have, has been forced to put into words ideas about the craft that had floated about in his backbrain but never surfaced before. He’s sad it’s almost over.

On Monday we go to Heron Island with Ron and Sarah. Six days without computers: no writing, no internet, no critiquing, just tennis, snorkelling and mango daiquiris. I’ll stop playing wife and we’ll be back to being Scott and Justine again. We can’t wait, but neither one of us would have missed this week for the world.

I crawl into bed now. Scott keeps scribbling in red.

Written Brisbane, 11 February 2005; posted Sydney, 21 February 2005

Wine

Deb Biancotti recently wrote about how much she loved the US movie, Sideways, while I don’t remotely agree with her about the film (love was not the emotion it roused in my breast), I did very much enjoy her thoughts about wine. She’s right: loving wine, appreciating wine, gets a very bad rap. It’s pretentious, it’s snobby, it’s blah blah blah. "That doesn’t really smell like passionfruit or taste of cat’s piss. You’re just making that up. Wanker."

Like Deb, I love wine. I love them, red, white, sticky sweet and dry as bone. I don’t care about the grape variety: pinot gris, malbec, cab sav, merlot (yes, merlot, I have no idea what that guy’s problem is), sav blanc, semillon, riesling, chardonnay, shiraz and so on. And I especially love wine with bubbles. Not just champagne, I’m also in love with heaps of Australian, New Zealand and Italian bubblies. What can I say? They tickle my nose and float across my tongue. What I care about is quality. Every grape variety can produce crap wine and they can all produce absolute glories.

I love the performance around tasting wine: checking out the wine’s colour in the glass, smelling it and trying to figure out what those smells are, what they remind you of, and then best of all, tasting it. Does the taste match the smell? Does it taste the same at the beginning as at the end of a sip, of a glass, of a bottle? (A bottle shared with others, obviously. Drink only in moderation.)

I totally agree with Deb: "It’s earthy and real. I think it’s a way to focus inwards on your body’s sensations and to feed those sensations through your brain and turn them into words. It’s sensual. Kinda—dare I say— sexy."

When we were in Buenos Aires recently we drank a lot of malbec, a red grape variety I’d never drunk before and this weird thing kept happening: the waiter would pour the taste, I’d sip, my mouth would pucker, and the first word that wanted to escape my mouth would be, "b’dna’gah!" or maybe "ack!" The waiter would smile and say, "Too much tannin?"

"Rather a lot, yes," I’d say, squeezing the words out of my shocked lips. The waiter would then assure me that it would taste fine in a few minutes. We just had to wait. So we did. Without fail the next sip would be smooth, almost creamy, yet still a big red, still with some astringency. I’ve never drunk wines before that changed so dramatically so quickly. Very very fabulous.

For my birthday last year, Scott gave me the most excellent present ever (except for all the other really great ones, like the watch I’m wearing, my silver wedding skirt, that tropical fruit basket, everything my sister and parents have given me ever, and all the stuff I’ve forgotten cause my memory is crap): Le Nez du Vin (yeah, yeah, it’s French and all about wine, colour it very prententious indeed, and no, he didn’t pay full retail price. Jeeze what do you think we are?). It’s a set of 54 wee bottles of the key essences found in wine: cinnamon, vanilla, pepper, cut hay, lychee, butter, mushroom and 43 other ones. Each essence is matched with a beautifully written and illustrated card that tells you its chemical components, history, and what wines it’s found in. And each essence smells exactly like what it says it smells like. The green pepper smells like green pepper (well, okay, it smells like green capsicum). Fresh, crisp and faintly like grass. The honey like a light, straw-coloured honey. Come on, you know the kind.

We’ve spent hours and hours learning to identify them all. (For extra kink value we’ve even done it blindfolded. Cor!) All our friends have been into it too (blindfolded and everything! Double cor!). It’s a tonne of fun and much much much harder than you imagine. Most people’s sense of smell doesn’t get the same kind of work out that sight and hearing do. None of the folk who’ve played with our kit has gotten even fifty per cent right first go. I kept finding myself holding the teeny bottle under my nose, going, "I know this! I know this! Tip of the tongue! It’s . . . it’s . . . Oh, oh, oh. Bugger. What is it?"

"That would be lemon."

"Aaargh! I knew that."

We’ve played with it so much we know the 54 smells off by heart. We’ve learned that after about the ninth one your nose packs it in and everything smells like cloves. The smell starts coating your mouth. You taste it. I started flashing back to my time in Jakarta and all those clove cigarettes (bloody kretek). Turns out Proust was on the money: memory and smell are intertwined. So many of the guesses began, "Oh, oh, oh! It smells like that summer at my aunt’s place and the ice cream factory down the streeet and the—vanilla. It’s vanilla!"

Both Scott and me have gotten a lot better at isolating different smells in wine, but not just in wine, in foods, in garbage (hmm, I believe that was once a stew flavoured with thyme), in pretty much everything. And our writing has changed—it’s a lot more pongy that it used to be. Used to be I’d go for pages and pages without hitting any odours. My characters would see, and see, and see, and also hear, touch, and taste, but rarely would they smell so much as their dog’s farts, and when they did they’d smell in familiar, unarresting ways. In similies, like clean hair, rosemary, vomit, whatever. I’d rarely take the smell apart, really describe it. There’s a reason for that. It’s really hard and using the chemical components rarely makes for evocative writing. Most people don’t know many beyond H2O and it doesn’t have much of a smell.

I’m still not very good at it, but the kit, and drinking and appreciating wine, has at least gotten me thinking about how to write smells better. Some day soon it should translate into words on the page.

Sydney, 28 January 2005

Two Weeks in Buenos Aires

In Buenos Aires almost everyone I met eventually talked about La Crisis, about waking up one morning and finding that they had two thirds less money than they had had the day before, about having to drop out of university, about losing their jobs, their apartment, their house.

One woman was in Germany in 2001 at the time of La Crisis. She rushed to the bank to get out what money she could, but from the time she joined the queue to the time she got to the bank teller, the Argentinian peso had dropped even more. Her life savings were no longer enough to pay for a ticket home.

A taxi driver told me that he was part of the largest social class in Argentina—those who once were middle class, but no longer. "I still think that way," he told me, "but what does middle class mean when you are in your forties and you and your wife and children live with your widowed mother in her one-bedroom apartment?"

He wanted to know about the cost of living in Australia. How much is a cup of coffee? What is the average wage? How concentrated is ownership of Australia’s wealth? How widespread is poverty? He was able to reel off statistics about Argentina. To my shame I could not match him. What did I think about Chavez in Venezuela? he asked me. What did Australians think about him? I didn’t want to tell him that most Australians had not heard of Chavez.

I told the story several times of how, but for a bureaucratic decision, I could have been Argentinian: In 1938 when my grandfather had to get out of Poland in a hurry, he applied to migrate to both Argentina and Australia. Argentina was his first choice, it seemed more European, less far away. The Argentinian consulate turned him down, the Australian didn’t. (Of course, if my grandfather hadn’t wound up in Australia and adopted my father, there’s every possibility I wouldn’t be the me that I am. I didn’t mention any of that. It ruins a good story.)

I had the similarities-between-Argentina-and-Australia conversation many times. Sheep, cattle, wine, immigrants, colonialism. The conversation always ended in a moment of silence as we contemplated the differences between the two countries. There has (so far) been no La Crisis in Australia. While poverty back home is disgraceful, it is not on the scale of Argentina, where more than fifty per cent of the population now lives below the poverty line. There has never been a military coup in Australia.

Back in New York City, I told an Argentinian friend how impressed I was by the book culture of Buenos Aires. How many bookstores there were, how incredibly well stocked, how beautiful. How many streets were named for writers. How everywhere I went I saw people reading. I had experienced none of the anti-intellectualism that is so common back home. When I told people I was a writer they were not bemused, they did not ask if I was published or not, they understood and appreciated what it means to be a writer. "Ah yes," he said. "Books. But that’s about all that’s left. All the major publishing houses have closed or been bought up by Spanish companies. The universities are crumbling. Twenty years ago they were the best in Latin America, now the students don’t know whether their professors will turn up or not."

He sighed. The same sigh I heard many times during my two weeks in Buenos Aires. The sigh of the waitress who told me that, "Of course, I can’t ever travel. Not to Australia or Europe or Asia or North America or Africa. Those doors are shut for us now. Airplanes are too expensive and when we arrive our money is not worth as much as the paper it is printed on. We have to do whatever we can here." She waved her arm to take in the bar, and beyond that Palermo, the rest of Buenos Aires, of Argentina. "And if I want to know what those places are like, I talk to tourists like you."

"Doing whatever we can here" is in evidence in all the trendier parts of Buenos Aires. Fabulous new restaurants and bars, gorgeous clothing and design shops are everywhere. The street markets are overflowing with really wonderful clothes, pottery, jewellery, toys, art, books—all made by the person selling them to you for embarrassingly low prices. We bought more than we could afford, because everything was so beautiful and so cheap, and because we were trying to salve some of our yanqui-dollar guilt by contributing to the fragile economy.

New York City, 4 October 2004

Esteban el Centauro

I just finished reading a novel in Spanish, Esteban el Centauro
by Gilberto Flores Patiño (Atenas, Mexico, 1985). My first
ever. Admittedly it’s a very short novel: only 82 pages, coming
in at around 25,000 words. Barely a novella really. But as someone
who’s only managed to struggle through kid’s picture books, and
short simple stories and poems, it felt like a major achievement.
I read the whole thing through without an English translation by
my side. I read it and I understood it and it made me weep. I cried
and cried and cried and cried. And books hardly ever make me cry.
Except for Wide Sargasso Sea and Bridge to Terebithia
and Pride and Prejudice and In Cold Blood and,
okay, lots of books make me cry. But they’re all really good ones.
(Except for the really crap ones which make me cry for different
reasons.)

Esteban is the perfect book for someone with my level of Spanish who can’t cope with reading badly written exercises for people with my level of Spanish. It’s written from the point of view of a small boy, Esteban, talking to his constant companion, his wooden horse. (Hence the title Esteban the Centaur: half boy, half wooden horse.) There’s lots of first and second person (yay, my favourites). Hardly any subjunctive. Not a lot of new vocab, except for all the stuff to do with horses. And lots of repetition: "Because the sea is very big very big very big. Bigger than anything! It has lots and lots of water".

The clause structure is not complicated either, barely a "which" or a "who" in sight. It’s all this and then this and then this. Open any page and it’s littered with "ands", even more visible in Spanish because "and" is "y". An effect I will attempt to duplicate by using "&" in place of "and":

My mum & her friends & their girlfriends were walking & looking at the sand & they were picking up shells & one woman put a shell to her ear & she said she could hear the sea. Then I thought that the sea was talking & the voice of the sea came out of the shells, because all the señores & señoras & my mum were putting the shells to their ears & they started to laugh & say yes yes yes, I can hear it too. & because no one told me what the sea said, I looked for a shell & I put it to my ear, but I didn’t hear anything, & because they were all saying that they could hear the sea I thought that my shell was no good & I threw it away & looked for another & I still heard nothing & I looked & looked & looked, but none of the shells that I put to my ear had the voice of the sea.

I don’t remember the last time I read a story from a small kid’s point of view that so gorgeously captured the rhythms of a child’s speech, the endless stream of questions: "Who invents the words in dictionaries?" and their view from below—looking up at the grown-ups—trying to parse that strange adult world.

And to help my comprehension, Esteban el Centauro is partly set here in San Miguel. Esteban walks down streets I know, goes to Mama Mia’s looking for his mother, sits in the Jardin, looks at the Parroquia. Esteban’s childish eyes capture, too, some of the complex interractions between the Mexican and gringo inhabitants of this fine city. Something else I’m increasingly familiar with.

I’m not sure there’s another book in Spanish so perfectly designed for me. Following my teacher Alejandra’s suggestion, I tried Aura by Carlos Fuentes which also has the virtue of shortness, but it’s wham bam straight back to adult land: complicated structures, zillions of words I’ve never seen before. I can barely read a clause with even partial understanding. Fortunately my edition’s bilingual so I can cheat.

Still, I read a novel in Spanish! And I will keep trying to read others, the way I keep trying to have conversations with people, even though I stumble over verb conjugations, pronouns, masculine and feminine, and haven’t managed to fully erradicate my lisp. But if people don’t talk too fast or use too many unfamiliar words or phrases, I can understand them. And, on occasion, I can even manage a long conversation about tricky subjects, like the relationship between servants and their employers in San Miguel. I even had a shot at explaining cricket. Not recommended. But then I’ve never managed that successfully in English either. Amazing how many otherwise intelligent people fall apart when confronted with phrases like Hit Wicket and Silly Mid-Off. I shall never understand it.

San Miguel de Allende, 22 January 2004

Writer’s Block

Raymond Chandler would lock himself in a room for four hours every day. In that time he didn’t have to write, but he wasn’t allowed to do anything else. Not write letters, do crossword puzzles, play solitaire, read the newspaper; he could only write. Eventually boredom forced him to it.

A writer friend of mine claims there is no such thing as writer’s block, only writer’s procrastination. "Writer’s block," she claims, "has taken on a kind of mythic status for writers and wannabe writers, and become this curse or disease the hapless writer catches. Crap. It’s laziness pure and simple. Anyone can write any damn time they want to.

"If I’m having difficulty getting going I just type anything at all. It might suck and have nothing to do with what I’m supposed to be writing, but I keep at it, and before too long I’m back on track. Nothing simpler."

Yeah, but what if you start off by typing "All work and no play makes Jack a dull boy"? What then, eh?

I tend to wander around. Right now I’m sitting in the hallway with my feet in the bedroom and my laptop perched on my knees. I’m supposed to be rewriting, but it hurts my head, and I keep getting stuck. Difficult to see a way to transform the monstrosities sprawled across the screen into elegant, or even, coherent sentences. Easier to write this.

My excuses for not being able to write today are, in order of malign impact: a hangover, jetlag, and having run out of good books to read (necessary to get the creative juices flowing). Also, cricket season is in full swing back home—Steve Waugh’s final test series coming up—and I’m in New York City which is so depressing it dries up all inspiration.

Scott reckons that were we in Sydney, I’d be getting no writing done at all cause I’d be lying on the couch in front of the TV watching the cricket (or we’d be at the SCG if there was a game on). It’s a filthy lie. I’m well able to write and watch cricket and bitch about Keith Stackpole, the world’s most tedious and annoying cricket commentator. All at the same time. If we were at home right now, I’d be writing what I was supposed to be writing.

I never have writer’s block. No matter what I can write. My problem is that while I can always write something, that something is not always what I’m supposed to be writing. These musings are dead easy. No deadlines, no editors to deal with, no pressure, no reviews. And most glorious of all, I can always tinker with them long after they’re "published" online. They’re not frozen on the printed page, all errors intact, until the end of time. Writing the articles, introductions, books that are due, well, dead, maybe, but not easy.

I really don’t understand why it’s so hard. I love writing. Since I was a child I’ve written stories, poems, essays, novels, limericks, the entire contents of a school magazine, anything at all. Once I get going, I’m fine. It’s the hours of staring at a blank screen, getting up and wandering around, tidying up, remembering that we’re out of olive oil and that I should really go buy it now, answering emails, deciding that I haven’t seen so-and-so in ages and must—this very minute—meet them for lunch, reading the Sydney Morning Herald online to laugh at the latest epic Paul Roebuck account of the cricket: "a large crowd sat in the shelter of Moreton Bay figs and children played their games as their seniors batted and bowled, ghostly figures settling ancient scores", opening up a different document and working on it instead of the thing that is becoming more and more urgent as the minutes, hours, days tick by. Then when it becomes really, truly, terrifyingly urgent, then all of a sudden I can write. Like the wind. And most perverse of all, I enjoy it.

So why do I go through this performance every time? Why can’t I just sit and write. I love writing. Why do I have to trick myself into it? Offer myself rewards and punishment? Why can’t I just write what I’m supposed to, when I’m supposed to, and thus have more time to do it absolutely right? As Justice Brandeis, or Aldous Huxley, or someone, once said "There is no good writing, only good rewriting". Or as Sylvia Kelso says "You can’t edit nothing, but you can edit shit".

Here in San Miguel de Allende after the first run-around-and-have-lots-of-fun week I’ve been writing what I’m supposed to six days a week. The most productive, disciplined period of my life. I keep having to pinch myself. And all it’s taken is moving to a different country where—other than Scott—I don’t know anyone, where we have no internet connection, where the cricket is even more inaccessible (of course, now the test series against India has come and gone, Steve Waugh’s international career is over, and I’ve missed the whole thing), where there’s Silvia (the housekeeper) removing most housework procrastination, and where we’ve taken to reading our latest chapters out loud to each other every two or three days so there’s no possible way to hide a lack of productivity.

And even so, I still can’t just start working on the novel. Oh no, first, I have to gossip with Silvia in my faulty Spanish, make sure my water bottle’s entirely full, work on a musing, draft an email, look out the window—especially if there’s a bullfight on (we can see the crowd from here, but not the gory action), fix up my web site, bite my nails. And then, as a very last resort, write what I’m supposed to be writing.

I love it.

Here’s hoping I can keep the writer’s block as micro and under control when I return to those cities chockablock with distractions for me: Sydney & New York.

New York City & San Miguel de Allende,
25 October, 2003-9 January, 2004

English Language Soup

Studying Spanish and struggling to read newspapers, toothpaste packaging, movie subtitles, and, trickiest of all, struggling to coherently speak with locals, I’ve been thinking about language a lot. In Mexican Spanish the future tense as a verb conjugation is on its way out. My Spanish teacher has dutifully taught it to me, mourning the fact that fewer and fewer people use it in spoken discourse. A hundred years from now, she says, shaking her head it’ll be gone.

In English useful distinctions between certain words like "disinterested" and "uninterested" are all but gone except amongst a fanatical, pedantic few. The subjunctive, too, is on its last legs. My Spanish teacher says one of the hardest things about teaching English speakers is trying to explain the very concept of the subjunctive, let alone how it’s used (a lot) in Spanish. When’s the last time you heard someone say, "Would that she were still here?" My point exactly.

Two weeks ago I discovered that there’s no concept of the double negative in Spanish nor any notion of the split infinitive. Hooray for Spanish! Split infinitives and double negatives are about as meaningful and useful as the weird USian rule about not wearing white shoes after Labour Day. I mean, huh?

I have no idea how the double negative rule originated (and now that I’m not a professional scholar, buggered if I’ll do the research to find out) but I do know that the idea of the split infinitive is a hold over from Latin grammar. From those halcyon days when grammars of English were first being written and it didn’t occur to anyone that you might write one by making actual observations about how English functioned. What a ludicrous idea that would be. No, no, best we base our grammar wholesale on the Latin one. Those Romans know from grammars. And let’s stuff our brand new grammar full of dumb rules that get in the way of making meaning.

Splitting your infinitives is impossible in Latin—they’re one word. For some insane reason those early grammarians decided to decree the non splitting of the entirely splittable English infinitive. It made no sense then; it makes no sense now. To boldly go where no one has gone before. Got quite a ring to it, that does. To go boldly where no one has gone before. Boldly to go . . . I don’t think so. Every time I hear someone tut-tutting over the Star Trek motto, muttering about infinitives being split, I want to sit them down and ask them to explain to me exactly what about sticking an adverb in between the preoposition "to" and the verb interferes with making meaning? I bet you gazillions of dollars they would have no response other than: "it just sounds better." Ignore them, people, they’re insane.

Far more annoying though is the idea of the double negative. The English language, people, is not maths. If someone says, "I ain’t got no love for him." It’s pretty clear that person is not about to propose. The classic example, of course, is more along the lines of "No, I do not want to not have him in my life." The problem there is not double negatives, it’s incoherence.

I remember a bewildering array of nonsense exhortations to not commit grammatical felonies when I was enduring my primary, secondary and, sadly, tertiary education. (For that matter, I’m still coming across some of these nutteries in red line comments from editors). Never end a sentence in a preposition or conjunction. (An impossibility if you’re an Australian, but). Avoid repetition at all costs. (A particularly egregious one which leads to all sorts of horrifying burly detectivisms [scroll down]). Never begin a sentence with "but" or "and". (But why not? And how am I supposed to avoid it?). A sentence must have a verb in it. (Why? Because.) Never use "I" in an essay; an essay written in first person cannot be objective. (Post-structuralism seems to have killed that one dead. Yay, post-structuralism.)

One of the hardest things about learning another language is trying to figure out aphorisms and other idiomatic expressons. I know, I know, I shouldn’t try. Most of the time you can’t understand them, you can only memorise them. There are still expressions in English I don’t understand. I only learnt what "A stitch in time saves nine" means when Scott explained it to me a few days go. Never learned to sew, me, so sewing metaphors aren’t exactly second nature. And what on Earth does "Don’t come the raw prawn with me" really mean, and more to the point, why?

As they say in Spanish, "nunca va a hacer casa de azulejos" (you’re never going to build a house of tiles). Or, more to the point, "nunca falta un roto para un descosido" (never miss a broken thing for an unstitched one).

Feliz año nuevo (happy new year).

San Miguel de Allende, 6 January 2004

The First Week of the Next Three Months

San Miguel de Allende is ankle-spraining territory. All the narrow streets and footpaths in the old part of the city are paved with cobble stones. Big, uneven cobble stones, with lots of little pebbles that work their way lose to wind up under your soles. The pot holes are sharp and ragged. Cars crawl along at less than 20 kms an hour, hardly fast enough to overtake a donkey. When the streets and footpaths are wet—and with the run-off from watering plants on roof gardens they often are—they’re slipperier than a Southern politician in a jelly-wrestling contest. If you see a woman confidently negotiating the streets in high heels you know she’s a local. Tourists like me wear sturdy shoes and hope for the best.

San Miguel is not very noisy. Before we arrived I did a little research (very little—lots of nasty deadlines before we came), and found many references to the noisiness of this town, most often to the constantly ringing church bells which ring at (to gringo ears) random intervals throughout the night and day. Our landlady left us a note warning of all the night noises: cats, dogs, horse police, birds, church bells, loud music. I’ve slept soundly every night thus far.

When we go up on to the roof to watch the sunset, I’m startled by how quiet it is. All I can hear is the occasional barking dog and passing car; the church bells; birds; wind in the trees; music that makes us want to get up and dance from somewhere nearby—the houses are all so close together it’s impossible to tell from where; squeals from the children next door playing a complicated game with the christmas decorations that results in parental intervention every fifteen minutes or so. They’re all pleasant sounds, none of them near loud enough to interrupt our conversation or make us spill our lime-soaked beers. There are no jackhammers, no deafening sirens, no violent arguments at three in the morning, no shithouse music loud enough to raise the dead. Perhaps I’ve spent too much time in New York City and have lost my sense of what’s loud and what’s not.

The smells of San Miguel are more pervasive: wood-burning fires, urine, cooking smells, dust, donkey shit, gas for heating, jasmine and other floral smells I haven’t yet identified. There’s lots of flora that’s common at home: jasmine, bougainvillea, ponsettias, jacaranda trees. And many strange ones I’ve never seen or smelled before. At night when the jasmine’s at it’s strongest, I close my eyes and feel like I’m back in Sydney.

Many of the gringos you see here are residents. Like our landlady they’re mostly over sixty and from the United States. Sometimes San Miguel feels like a retirement village for rich arty whites from north of the border. Here they can play bridge and paint and write and sculpt and afford someone to clean their houses and a nurse too if one is needed. Most of them learned Spanish at a late age and speak it loud and slow with the exact same intonation and pronunciation as their English. My own Spanish has been getting quieter and quieter. I wince at my Australian vowels.

There are galleries everywhere. Right now the Centro Cultural Ignacio Ramirez has an exhibition of a photographer I’d never heard of: Enrique Bostelmann. I’m in love. He’s incredible. Enormous pictures—a metre or more across—of small things that are incredibly sharp. Each image is a frozen moment from one of those dreams where everything is exactly how it should be but wrong and strange and wonderful at the same time. His images are crystal clear and warm and arresting: a crumpled silver oil can on a background of dappled terracotta; a detail of a typewriter, all greens and blacks and silvers and grays. Funny too: a cockroach upended on a directory open to the funeral listings. The exhibition stays open til January. I’ll be back.

Renting a house without a maid doesn’t seem to be an option here, which is kind of weird. Fortunately Silvia is a sweetheart who enjoys correcting my Spanish and answering any questions I have: Why do so many places have plastic bags of water attached to their entranceways? Sadly my Spanish may have failed me (again) because I think she said it was to keep the flies away.

Silvia comes four times a week (how clean does a house need to be?) at nine AM, which means we have to get up and out somewhat earlier than we’re used to (we work until really late, okay?). Every day she begins by banging a broom at the vines covering the walls, sending dead leaves cascading to the ground. She stands on a ladder to make sure she gets all the way to the top. I’ve never seen anyone do this before. She sweeps up the dust from the footpath and the road immediately outside the house and brushes down the outside walls then she scrubs the front steps and cobble stones clean. I’ve never seen anyone do that either. Apparently I am a wretched house cleaner.

Two days ago Silvia brought traditional christmas decorations for the hall and ground floor rooms. There wasn’t a Santa Claus or red-nosed reindeer in sight. Bright green, blue, pink and yellow crosses, circles and pinatas, all made of paper.

Silvia was amazed when I exclaimed at how big this house is. I told her I’d never lived in anything so large. Spread out over three stories with a separate study in back, it has four bathrooms, two patios and a roof deck. Silvia thinks this house is small. Told me it was much smaller than hers. Each floor would be a large one- room apartment in New York City.

The beggars I’ve seen have all been ancient women. Sitting on the narrow footpaths, wrapped in faded coloured shawls, skin brown and wrinkled like a walnut. Shrunken, shrivelled tiny dolls. Mostly they don’t say anything, just hold out their hands and wait. On Sunday they were everywhere.

December is one of San Miguel’s slowest months and on top of that the economy has been hard hit by the recession in the US: USA sneezes, Mexico gets pneumonia. We go out to eat in restaurants with superb food and we’re the only ones there. Last night we climbed to the top of the hill and came across a gorgeous hotel painted in earth colours: yellows, reds and browns. The clerk smiled at us broadly and said sure we could look around. Lights were on in all the public areas, blindingly bright chandeliers, spotlights all over the front lawn and swimming pool. The view of San Miguel was extraodinary. You could see everything. In the dining room every table was perfectly set with crystal and silver, white table cloths and napkins. A fire blazed away. We saw no guests. No one in the dining room, no one in the bar, not even a bar tender. There was the hotel clerk, a maid who smiled and agreed that the hotel was beautiful, but no one else. Everything was silent and empty and echoing. It made us both shiver. We didn’t eat there.

We’re here to write a novel each. Scott’s is due at the beginning of March, mine in August. It’s a writing holiday. Our second. We stay in a place where we know no one and thus have no social responsibilities, very little everyday admin, and just write. Scott’s been here twice before, writing the first draft of Evolution’s Darling and a large chunk of The Risen Empire. So far we’ve done a good deal of walking and talking and eating and drinking, but not vast quantities of writing.
There’s so much to exclaim over. The food is amazing. Jicama is in season, served at the beginning of a meal in place of corn chips and salsa. You squeeze lime on top and then sprinkle with chilli powder. It’s become my favourite thing in all the world. I’ve never tasted jicama so crisp and sweet before, turns out that’s because I’ve never had it fresh before. Right now it’s in season. November and December, we were told, are jicama months.

We eat breakfast in a hotel that was once a hacienda built by a silver baron two hundreds years ago, and later owned by an opera and movie star in the thirties. We sit in the courtyard with a large fountain, terracotta tiles, parrots in white cages. Looking up all I can see is blue skies and the tops of the trees in the gardens and the nearby park. The food is divine. Eggs with cheese and chillies served sizzling in the clay containers they were cooked in. Coffee and juice comes with fresh cooked bread and best of all—heavenly cinnamon rolls still warm from the oven.

We met a woman travelling with her parents over breakfast. She’s a screenwriter working out of Los Angeles but living as much as she can in Vancouver. Like us she’s here to write, like us she’s had more productive weeks. She’s Canadian, her parents are originally from England. They escaped because England’s gray drizzly damp cold week after week after week isn’t an existence fit for a dog. They’ve lived and worked in New Zealand, Australia, Canada, India, Sri Lanka, Honduras and now divide their time between Canada and Mexico; they love both places and want never to be cold again. You get older, your blood gets thinner, they explained. I’ve decided that’s my excuse too. Though the nights and mornings here are cold, the days are warm.

San Miguel is ludicrously beautiful. Up in the hills there’s a cactus preserve laid out around a rocky gorge. You stand on the cliffs and look back towards San Miguel’s church spires, and multi-coloured, crowded-together rectangular houses that flow from room to courtyard to room all with the same tiled floors, allowing no clear distinction between inside and outside. Very few of the houses are free standing, so the streetscapes are long expanses of walls of varying heights painted reds, yellows, browns, greens, maroons, whites and blues—some crisp and new, some flaking away in wabi sabi elegance—interrupted only by elaborate doors, windows and balconies of wood, wrought iron, brass. Ceiling beams pass through the walls to overhang the footpath, convenient for hanging lanterns and christmas decorations. Our bedroom has white curtains: in the early morning and afternoon sun they glow blue and terracotta from the light reflecting on the houses nearby.

Tomorrow, I imagine, we’ll write like the wind.

San Miguel de Allende, 2-8 December 2003

Language Soup

My fractured Spanish came into play at immigration, mere minutes off the plane.

How many days were we planning to stay?

"Ninety," Scott said.

"Nineteen?"

"No, ninety."

A puzzled look.

"Noventa," I said, dredging deep for the word. A delay caused by my innumeracy as much as my crap Spanish.

Raised eyebrows followed by (I think) a joke about staying in Mexico for such a long time. I smiled. Scott smiled. The official behind the counter smiled, then scribbled down 90 on the form. So far, so good. (What was the equivalent expression in Spanish? I had no idea.)

On the bus to San Miguel de Allende I stared out the window at all the signs, trying to figure out what they meant. Idiosyncratic advertising syntax and a barrage of words I’d never seen limited my success. Spanish words and phrases started buzzing in my head. What did rincón mean? Palapa? Relox? A reloj is a watch, my brain told me, remembering at the same time how to say: "I don’t remember what any of these words mean."

I studied Spanish in my first year of university with very average grades. Two years later I stayed in Salmanca in Spain for five months, studying the language and culture intensively for four. By the end of my stay in Spain, I was able to have reasonably fluent conversations about pretty much everything. My tenses tended to stay in simple past and present with a tiny smattering of conditional, subjunctive and future. I’d still muck up the two different forms of the verb to be, feminine and masculine, prepositions, subjunctive (except in the formulaic sentences where it’s always used), and erred on the side of paranoia with my use of the formal you, causing much hilarity.

I learned how to lisp on Zs and many Cs and Ds, to drop the d in words that ended -ado so that all such words rhymed with Bilbao (our teacher hated us doing, this but that’s how the people all around us spoke including our teacher when she wasn’t concentrating), and to pronounce "ll" so it sounded more like a j then a y (this last one was our teacher’s fault too, haling as she did from Madrid.) Somehow these pronunciations became embedded in me.

Back in Sydney, and later in New York, the only Spanish speakers I came across were from Latin America. When I spoke to them, they laughed. Apparently the lisping is heard by some as a posh accent. Imagine someone from, say Norway, who has learned their English from teachers at Eton and Harrow and now sounds like a Norwegian Prince Charles with mangled grammar and limited vocab, but lots of plummy vowels. Shudder.

I became increasingly reluctant to speak Spanish. If I spoke without the lisp, I lost all fluency, forgot most verb cases, and indeed most words. If I said bugger it and lisped, I got laughed at. So over the twelve years since I studied in Salamanca my Spanish has dwindled away, but turns out not to have died completely. One day in Mexico and I had the same headache I once knew so well. Head throbbing from too much input, trying to access words and sounds and ideas long buried, straining to really, really listen, to make meaning from the words and phrases uttered all around me. I am both better and much, much worse than I thought I’d be. It’s does my head in.

Because Scott has never studied Spanish, and on his visits to Mexico has been wrapped up in writing books in English, he has very little Spanish. He navigates, I talk.

I can do everyday interactions, but am hopeless at overhearing conversations. There are so many words and expressions I don’t recognise. They don’t have the same plural you as in Spain. I haven’t heard any of the slang I knew. Is that because they don’t use that slang in this part of Mexico? Or because it’s now completely out of date? Or both?

Until Thursday night, not one person had laughed at the lisp (except Scott). One man asked me where I learned my Spanish. When I said Salamanca, he was delighted. Told me how much he loves Spanish accents. He seemed to think it was cute. Scott says he was just trying to chat me up (how do you say that in Mexican Spanish I wonder?).

Thursday night we went to a restaurant/bar further up the hill. Drank margaritas (our first here) and ate jicama and enchiladas and had two more margaritas and then ended up in the bar talking to the manager’s brother and girlfriend and another couple. My Spanish was firing along, fuelled by tequila. I understood most everything that was being said. (The manager and his brother have lived in the USA as much as Mexico, so Scott had someone to talk to).

The guitarist played songs by Silvio Rodriguez and then joined us. We talked about how superb Rodriguez is, about John Dos Pasos, Enrique Bostelmann and what Australians and Mexicans think of the United States (don’t worry, USians, as you can imagine, it’s all good). Through all of this more rounds kept being ordered. Someone seemed to think it would be a good idea for us to try shots of local tequila, and my Spanish began a precipitious decline to the point that when we left, I was unable to understand a simple query as to whether we would be returning.

Lesson: two glasses alcohol, good; any more, bad. Next morning a hangover added to the language headache. Surprisingly much writing was done.
Today I begin one-on-one tutoring. Three hours a day of Intensive Spanish for five days. By the end of the week I hope to have the language soup under control and my lisp eradicated.

San Miguel de Allende, 8 December 2003

Going Home

Jetlag makes me cry. Or maybe it was going to see Japanese Story with no warning that it is a very sad film (Toni Collette looks so chirpy on the movie poster). Or maybe it was arriving and still having major deadlines to churn through in the first few days. (Apparently the elves hadn’t been busy writing articles for me while I was in the air. Bastards.) Or discovering that Blundstones have gotten way more expensive than they used to be.

Or it could well be the jetlag. A week of not being quite sure what day or hour or continent or hemisphere it is. Of crippling tiredness when the distance between wide-awake volubility and deep REM sleep is about half a second. The only warning you get is a Boris Karloff-like voice in your head intoning: Must Sleep Now. Even if you’re in the middle of a fabulous dinner with friends, or an ultimate frisbee game, or some other event at which falling down and snoring is not the done thing. (Is there a social event at which falling down snoring is de rigeur? And if not, why not?)

Going home for me involves twenty-four hours of travel, at least two changes of plane, running the gauntlet of security, crying babies, airplane food (You ordered vegetarian? I’m sorry, ma’am, we didn’t get that order. We do, however, have many stale bread rolls.), dreadful movies, running out of books (I thought you were bringing the books!) and wishing I was rich and thus sitting, or rather, lying in first class, with an endless supply of good books and movies.

One of the many horrifying things about plane legs that are fifteen hours long is that even when you’re half way there’s still another seven and a half hours to go. Just to make sure you don’t forget for a second that it takes forever to get home, there’s a screen with a tiny image of a plane on the route between LA and Sydney. Every time you glance up the little plane appears not to have moved a milimetre, even though you could have sworn the last time you looked was more than two hours ago.

The only way to endure it without going completely barking mad is to remember that when you were a kid you loved flying. Truly. You’d look out the window and delight at the cloud formations, you’d revel in the free kids’ pack with its fabulous colouring-in and join-the-dot opportunities and best of all—free pencils. If that doesn’t work remind yourself that the journey from Madrid to Sydney is much much worse.

The reward at the end of the horror is that you’re in Sydney. And honestly, after that hell where would you rather be than Heaven on Earth? Every day (that isn’t pouring torrential rain) I walk down the streets with tears of joy (or jetlag-induced fatigue) in my eyes singing because I’m home and the bottle brush, jasmine and jacaranda trees are in bloom, the air full of rainbow lorikeets by day and flying foxes by night. I’m surrounded by people with accents like mine, who know who Aunty Jack and Sherbert and Tracy Moffatt are. (Well, okay, at least the folks over thirty know.) I get to hang out with my family and friends every day. And I can buy a new pair of blunnies even if the price is edging up on outrageous, though not enough to make me cry.

Sydney, 9 October 2003

The 61st WorldCon: Torcon 3, Toronto, Canada, 28 August-1 September 2003

Science fiction conventions are strange and World SF conventions are stranger than most. For starters these so-called WorldCons are usually held in the USA. Of the 61 to date, only 13 were held outside the USA. They are predominately attended by people from the USA—even when they’re not held there. I swear there seemed to be as many folk from the USA as from Canada at this year’s WorldCon. But those gentle folk of the United States of America have long had difficulty with the meaning of the word "world". Apparently they think it’s a synonym for the USA or possibly North America. How else to explain "World" Series baseball?

At least WorldCons have an excuse for their use of the term "world". The first World SF convention was held in New York City in 1939, borrowing the title from the New York World’s Fair of 1939-1940. The Fair really did involve people from countries all over the globe. More than 60 nations were included: Chile, Portugal, Venezuela, France, Brazil, the Netherlands, the United Kingdom, Belgium, Canada, Argentina, Ireland, Norway, Italy, Romania, Turkey, Sweden, and Japan.

Increasingly WorldCons are earning their title, shifting from one non-USA WorldCon a decade, to four in the nineties (The Hague, Winnipeg, Glasgow and Melbourne). So far this century there’s just been TorCon 3 but in 2005 it will be Glasgow’s second chance to host a WorldCon, and if the eligible voters show any sense, the first Japanese WorldCon will be held in Yokohama in 2007.

Almost all of the 200 attendees of the first WorldCon were US citizens. They were all white and possibly as many as five of them were female. The majority were eighteen years old. At this year’s WorldCon there were around 4,000 of us. I hung out with people from Canada, Australia, Japan, Spain (hello Alejo!), the UK, and France. Many of them were female and some of them weren’t white. There were attendees whose time alive was numbered in weeks, and a few creeping up on a century of living.

Two attendees, Dave Kyle and Frederik Pohl, also attended the very first WorldCon (and many, many, many of the ones in between). Well, sort of, Fred Pohl was actually banned from attending the actual convention along with some other naughty New York Futurians. But he did hang out in the bar with the professional writers and claims that was far more fun than the official convention anyway. Based on my experience of conventions I don’t doubt it.

WorldCons are really many different cons all held at the same time. There’s filking (making up science-fiction related lyrics to well-known songs and then singing them), costuming, and media (film and television fans) and I’m sure many other streams I’m not aware of.

The days are filled with programming. Readings: if the reader is Terry Pratchett, Connie Willis, Kim Stanley Robinson, or China Mieville expect a room filled past bursting and hot as hades even with the AC on high; if it’s anyone else expect an icy room sparsely populated by the reader’s family and friends. I have known writers who got married and had children solely to ensure that they always have an audience of at least two. The magical moment happens on that one fine day when you give the first reading you’ve ever given where there are faces you’ve never seen before in the audience, expectant, waiting to be read to. That’s glorious.

Autograph sessions: an event where writers who aren’t those named above pray that they’re not stuck sitting next to them, twiddling their thumbs while poor Stan Robinson’s signing hand cramps so bad it looks like amputation may be the only remedy.

Then there are panels. These consist of three to six people sitting with microphones behind a big table in front of an audience that often knows as much, if not more, on whatever the topic is than the panellists. One of the panellists acts as moderator. A good moderator will only speak themselves if there’s a lull in the discussion. She’ll make sure all panellists get an equal crack at talking, coaxing the silent and keeping the brakes on the over-effusive. After 15 minutes or so she’ll open it up so the audience can take part, but not take over, unless they turn out to be more interesting than the panellists. Never moderate a panel on Buffy the Vampire Slayer or anti-Americanism. Never allow anyone shy or so self-obsessed they can’t shut up moderate a panel.

The best panel I attended at TorCon 3 was on baseball and science fiction. Who knew there was a connection? I attended in my dutiful spouse capacity fully expecting to be bored out of my skull. Instead I learned a lot about baseball, about sf baseball stories, and was able to convey—along with other helpful cricket afficionados on the panel and in the audience—that yes indeed, there is another sport that’s inspired a great deal of fiction and that’s complex, riveting and has many centuries of history. Frequent debates broke out as to what particular moment led to particularly disastrous "World" Series results. Though sadly the only names I recognised were Babe Ruth (baseball’s Don Bradman) and Joe DiMaggio (the guy who married Marilyn Monroe).

The panellists were knowledgeable, entertaining and witty, especially Rick Wilber—what a charming man. Eric M. Van moderated with enthusiasm revved to such a pitch that I worried that he might explode. He didn’t, managing to rein in himself, and include everyone else. Masterfully done. There is now talk afoot of putting together a baseball/cricket panel at WisCon, or next year’s WorldCon in Boston. Panellists would all take a crash course in the sport they are not familiar with and then, I fear, spend the panel explaining to everyone why their sport is better.

Typically, there are weddings at WorldCons, and this year being in Toronto, for the very first time there were same-sex weddings. Lots of very happy campers. A joy to see.

Aside from the official programming there’s also a certain amount of business going on—agents courting writers, writers pursuing editors—but it’s a very small part of proceedings. The dread truth is that most WorldCon attendees do very little business and rarely go to more than a handful of panels/readings etc, just the ones they or their family and friends are on. Most of us go to sf conventions to hang out with all those friends we only ever get to see at conventions, to make more friends (who we forlornly hope we’ll be able to remember when we run into them at the next convention), to attend all the parties with their bucketloads of free food and booze and if we’re very lucky hear Connie Willis telling stories. As is amply demonstrated in these photographs and these and these. The advent of the digital camera is a sad, sad thing. Stop already, people!

The big night of a WorldCon for everyone I know is the Hugo Awards night. But in keeping with the many-different-cons-within-a-con the costumers have their own night: the Masquerade where they get to show off their costumes—many of them jaw-droppingly incredible—and win prizes. For the filkers the whole convention is one continuous big night, where they sing their lungs out unendingly. Apparently many have learned how to sign solely to get them through the voiceless days that follow.

The Hugo Awards are given out once a year for different categories of fiction (short story, novelette, novella, novel); professional (editor, artist, semi-prozine and related book: usually non-fiction about sf or sf art books); and fan (fanzine, fan writer, fan artist). They are the sf award that has the biggest impact on sales.

The award itself is a great big rocket ship and everyone I know wants one. If you are merely nominated (and, as we all know, just being nominated is an honour) you get a wee little rocket ship pin. This year they were gold for the fiftieth anniversary of the Hugo Awards. I’m here to tell you that a little gold rocket ship is dead cool (especially when your friends only have the lame silver version) and they’ll be prying mine from my cold dead fingers.

Some of us were nominated and all of us had opinions about who should and who would win (frequently not the same thing). We also enjoyed casting judgement on the performance of the toastmaster (this year, Spider Robinson) and the various acceptance speeches. Spider Robinson was fabulous, opening proceedings with clever filk versions of "Live and Let Die" (Mote in God’s Eye) and "Fifty Ways to Leave Your Lover" (fifty ways to lose a hugo—I missed the verse about having a university press book). Jane Espenson accepting for her Buffy script was utterly charming though in truth just showing up would have charmed us. Most Hollywood types nominated for a Hugo haven’t a clue what it is and certainly don’t attend.

I adored George R. R. Martin torturing the best novel nominees with a witty though long (and if you’re waiting to find out if you’ve won an award—a half-second delay is too long) account of his own Hugo wins, lamenting that he had never won the Big One (best novel) only little ones (short story, novelette, novella). One day, I’m sure, he’ll get the full set.

The win that made me happiest was Emily Pohl-Weary winning for completing her grandmother, Judy Merril’s memoirs Better to Have Loved. Emily’s lovely and I happen to know that it was a very difficult, fraught task for her. Judith Merril was, of course, a longtime Toronto icon so what better place for her to be posthumously recognised?

I’m not usually a fan of WorldCons: too big, too hard to find your friends (hello, Elisabeth? Were you really there?), but I loved TorCon 3 and this despite the chaotic organisation—whereabouts and times of programming events changed hourly, gatekeepers zealously checking badges managed to exclude some big name writers like Pat Cadigan and Nalo Hopkinson—I guess I’m just a fan of chaos. Science fiction cons do chaos beautifully.

New York City, 4 September 2003