There’s a lot of shockingly bad advice about how to get published online. Much of it comes from unpublished people who know nothing about the publishing industry and are bitter about their own inability to get published.1 But some of it is from actual published writers with careers, who have a bug up their arse about the evil of agents, or small presses, or big presses, or whatever, because of a particularly bad experience they’ve had. Or who are coming out of one genre and acting like their advice applies to all genres.2
Then I read this very sensible piece by Jay Lake, which solidified for me something I’ve been trying to say for awhile now, which basically goes like this: before you take someone’s advice pay careful attention to where that person is coming from. Are they qualified to be giving this particular advice?
Now, it’s pretty obvious that if you wish to be published taking advice from some who has never been published is usually not wise. But Jay’s bigger advice is that often taking the advice of someone with a thriving career is also not wise because too many times what they can tell you is how they broke into the field. Problem is that happened ten, fifteen, twenty, thirty, forty years ago and the field has changed since then.
So that when an established writer tells you that you don’t need an agent to get published they’re not lying. Back in the day when they were first published you didn’t. They’re also not lying when they say they continue to be published without an agent. But they’re neglecting to mention that that’s because they are known by those publishers. Someone looking to sell their first novel is not and given that so many of the big publishing houses are closed to submissions an agent is usually a first-time author’s best bet for getting published at a big house.
Any advice I give about getting published has to be taken with a large grain of salt by anyone who isn’t trying to break in to YA in the US. I have no idea how to get published in Australia—even though I’m Australian. I wasn’t published there until after I sold in the US. I still know far more about publishing in the US than I do about my own country. Nor do I know much about any market in the world except YA in the USA. If you’re trying to break into Romance or Crime or Literachure I’m useless to you.
That said, I’m probably not the most useful person to you for breaking into YA in the US either. I know about half a dozen agents well. There are way more reputable ones than that. I follow all the publishing news, far more than most YA writers, but I still don’t know that much about what goes on in those publishing houses and what all the editors are looking for. I know many editors, but I’ve only worked with a handful. You only really know an editor well when you’ve worked with them.
I know I said above that you shouldn’t be taking an unpublished person’s advice, but there are some great blogs by such writers detailing the process of trying to get published, which have very sensible things to say about query letters and the nuts and bolts of submitting to various different publishers when you don’t have an agent. All stuff that I know very little about. I have not written a query letter in a decade. Someone who’s actively trying to get published right now knows way more about query letters than I do.
I can talk about what it’s llike being a journeyman YA author. I can give you an author’s view on how you get published in more than one country and a variety of other topics that have to do with being a YA author with five novels under her belt. But take what I say about breaking into this field with a grain of salt. For that you’ll get better advice from agents and editors and brand new YA authors and from those on the verge of being published.
- Before you yell at me for this statement you should know that I spent twenty years trying to break into mainstream publishing. I know how it feels. Also very few of those unpublished writers are bitter about it and decide that the big publishers are evil. Most suck it up and keep trying. [↩]
- No, the way to break into YA is not to publish short stories first. That may apply to science fiction (though not nearly as much as it used to) but there is no YA short story market except for anthologies that you don’t get invited to submit to you unless you’re already published. I got my first anthology invitation after having three novels published. [↩]