The first book shop event

Last night we went to Anderson’s books in Naperville, Illinois. Much fun was had. Scott explained the origins of the Uglies series and of Extras. The first is all about our society’s beauty obsession; the second deals with the fame thing. There was lots of Q & A. The questions were ridiculously smart and interesting and there didn’t seem to be a single person who hadn’t read at least three or four of Scott’s books so he didn’t have to worry too much about spoilers.

Scott raises his hand. Dunno why.

During the hours and hours that he was signing for the smart and very appreciative crowd I got to hang out with some fabulous folk who were readers of my books and/or blog. At least three librarians came up to tell me how much they and their patrons enjoy my books. Yes!

I had a blast gossiping about favourite books, which is, naturally, my favourite topic of conversation ever. I was totally stoked to discover that my raving about the genius of Megan Whalen Turner’s Attolia trilogy had influenced some people to pick the books up and read them. Yay!1 Also I found someone who loved Meredith Anne Pierce as much as I do!2 Double yay!

Jez and friends

The photo is of Jez and her friends (whose names I’ve forgotten—sorry!) Thanks so much for all the manga recommendations. You guys are fabulous.

I wish I could remember everyone’s name. The folks I talked to were all so wonderful, but the only people I got a chance to say goodbye to were Jez and her friends. Sorry about that! Was wonderful meeting you all.

  1. If you haven’t read them yet what are you waiting for? Go get them! []
  2. And if you haven’t read the Darkangel trilogy and you love vampires then I don’t know what you’ve been doing all your life! []

Series

A warning: this is one of those stumbly thinking out loud posts.

I just read a dead interesting essay by Jim Huang reflecting on twenty years of selling books. Most of his comments have to do with mystery books but a lot of it applies to other genres. I’ve been thinking about this comment:

When I think about the center of gravity of the mystery genre, I still believe that it lies in series. Seventy percent of the titles on the bestsellers lists of the Independent Mystery Booksellers Association in 2007 year to date are part of a series. Seventy percent of these series titles belong to long-running series of five or more books. Sales in IMBA member stores are not necessarily representative of the marketplace in general, but they are the best indication we have of what the most devoted mystery lovers are looking for. Yet you can in fact generalize from these numbers. When you look at the BookScan mystery bestseller list for the week of 8/12/07, representing sales throughout the industry, you see that over 70%—closer to 80%, actually—of these bestselling titles also belong to series.

While not to that extent, Young Adult, is also dominated by series books: from Nancy Drew to Harry Potter through to the Gossip Girls. There’s a great deal of pleasure to be had from following the adventures of the same characters over multiple books and huge sales prove that I’m not alone in thinking so.

I know I have whinged about the trickiness of writing a trilogy, which is just a shorter series, but as a devourer of story I am all about the arc plot. In fact, lately I’ve kind of lost interest in movies and am much more into television precisely because it’s all arc. Right now we’re working our way through Homicide: Life on the Streets (which Scott had never seen!) and the first season of Heroes (anyone spoils me I kill them) having already screamed through American Gothic and the first three series of The Wire, there being no more Rome or Deadwood to be had.

I’m also gobbling manga by the truckload—my current obsession being Hikaru no go and Hellsing. I love them! But it’s also frustrating. Like right now I’m missing volume 6 of Hikaru. I have 7-10 waiting for me but no 6. And when I have all of the available volumes, I’m waiting on the next ones. Where is Nana 7? Emma 5? ES (Eternal Sabbath) 6? Hellsing 9? Her Majesty’s Dog 7? Monster 11? Mushishi 3? Waaaah!!!

But that’s nothing compared to the kinds of problems readers of mysteries have. Huang writes:

Series matter, and what publishers do with them tells you a lot about their inclinations and abilities. I write a lot about series and the bad job that the most publishers do with them: not keeping books in print (especially the first book which is where readers want to start), not clearly indicating the order of books in series, not identifying books as part of a series, not packaging series titles with a common look to make it easier to find them on new releases tables, not timing publication of new hardcovers and paperbacks to maximize sales, not indicating for the benefit of buyers for stores a new title’s place in the series, not soliciting orders for series backlist and frontlist together, not waiting months (if not years) between UK and US publication, etc.

I’ve definitely seen this happening a lot in sf and fantasy publishing but less so in YA. I wonder if that’s because YA books tend to stay on the shelves longer? Or maybe my anecdotal evidence is dodgy and it happens in YA too. Whatever. I will never understand how publishers allow book 1 of a series to go out of print while books 2, 3, 4 etc are still in print.

The first volume is always the biggest seller of a series because every time a new volume comes out it kickstarts fresh sales for the first volume. I’ve had several people write me to say that they bought Magic or Madness when Magic Lessons or Magic’s Child came out because the appearance of the later books reminded them about the series and also meant they could by the first book in paperback. My sales figures show the sales of Magic or Madness going up on the publication of the other two books.

On a much bigger scale that’s what happened with each book in Scott’s Uglies series. So much so that books two and three made it on to the New York Times bestseller list more than a year after first publcation. It will be interesting to see what happens when the fourth book comes out next month.

Obviously, the first volume of a bestselling series like Scott’s won’t be allowed to go out of print, but why publish the third book in a lesser selling series if the first one is no longer available? It minimises sales of all volumes in the series.

I have no idea where I’m going with any of this. Read Jim Huang’s essay!

DragonCon panels

Because I have friends who insist on proper con reports I thought I’d talk about some DragonCon panels. Most of which were excellent and peopled by knowledgable and entertaining folks.

First I must rant:

Hey, Author People, yes, you lot, who respond to every question with deeply tedious plot descriptions of your own books and never mention anyone else’s work—I have written down your names and the names of your books. And I will NEVER EVER EVER buy them or recommend them to anyone. You are boring and the death of many a potentially good panel. I am filled with hate for you and your kind.

Okay. I feel much better now. Now onto the good panels which were all part of the YA thread. So many thanks to the folks what ran it: Bev Kodak, Suzanne Chatham, Lydia Watson, Karen Smith, Heather Lauer, Tara Smith, and Mary Moline! You are all deeply awesome.

My favourite was the one I did with Holly Black, Cassandra Clare, Maureen Johnson and Scott which was excellently moderated by Bev. We nattered about how we write together, swap ideas, critique each other, and how important it is for us to be part of a writing community. This involved sharing anecdotes from those dark days when we thought we were the only ones incapable of finishing a story or ever selling one. Or—now that we’re published—meeting the deadlines from hell. It was a lot of fun and only marred by being cut off before enough people could ask questions. The few we got were dead smart.

I also enjoyed the panel where Maureen Johnson went berko at the two members of the panel who dared to dismiss the “expanding pants” section of YAland. By which they were referring to Sisterhood of the Travelling Pants and all the other chicklit YA books. As Maureen writes those kind of books and considers their writers and readers to be her people she was somewhat ticked off. I ably assisted her by pointing out the quality of not only Maureen’s books but also Meg Cabot’s, Sarah Dessen’s, Rachel Cohn’s, Jaclyn Moriarty’s and many, many others.

I find dismissals of whole genres particularly bizarre when they’re coming from lovers of a genre like fantasy and sf which is routinely dismissed as trash. Can we all agree not to trash a genre unless we know it well? Reading one or two or even a dozen examples does not cut it.

My most embarrassing moment was on the YA around the world panel. I was bemoaning how little non-English YA gets translated. Then Cassie Clare pointed out from the audience this little thing called manga. Der! I smack my forehead. How did I forget manga?

My favourite panellists—other than Holly, Cassie, Maureen and Scott—were the librarians. Specifically, Susan Fichtelberg, Bonnie Kunzel and Diana Tixier Herald, who not only have an encylopediac knowledge of the field but are also witty and smart. They kept bailing us out when we’d describe a book then flail hopelessly for the author or title. They knew. Every. Single. Time. They also kept referring to YA books for their examples and not TV shows or movies. I’ll admit I was a little depressed by the folks who only used media examples and seemed not to have heard of even the most famous YA writers.

Fortunately, they were few in number. The vast majority of the audience and panellists were dying to talk about J. K. Rowling, Diana Wynne Jones, Garth Nix, Jonathan Stroud and Stephanie Meyer—an excellent fight broke out about her character Bella Swann—and oodles of others including Holly, Cassie, Scott and me. I also enjoyed the opportunity of telling many more people about the glories of Kathleen Duey’s Skin Hunger, which I managed to mention not just on all my panels but from the audience of many more. Read it!

Matter of taste

Someone just told me I’m wrong about Bring It On being the best movie of all time. Excuse me? If I say it is then it is! This is my personal list of the best movies of all time. I cannot be wrong about it.

I’m not saying there aren’t other best movies of all time. There are! The Princess Bride is one. Rififi is another. Not to mention Out of the Past and Lagaan.

I am also not wrong about mangosteens being the best fruit.

Or The Wire being the best television.

Or Emma and Hellsing and anything by Osamu Tezuka being the best manga.

Or zombies being the best monsters.

And cricket absolutely is the best sport.

So nyer!

Though, of course, I reserve the right to tell you that your choices of best movie etc of all time is completely wrong. Because I am blog overlord.