I don’t know who first called it process porn but me and many of my friends like, Gwenda Bond, call talking about how we write “process porn” and have done so for ages.1 There’s something delicious about getting together with a bunch of writer friends and talking about how we dealt with this or that problem. “Once I realised the mc hates water the whole book opened up!” “The switch from third to first person was what nailed it.” “Wrong pov. 30,000 words in and I realised it should be from the sister’s not the brother’s pov. Aargh!”

It feels wicked and indulgent but also practical and comraderly. Like we are a bunch of carpenters comparing our joinery and carving tools. It’s fun.

Gwenda received this wonderful piece of advice from Tim Wynne-Jones: “The most important thing every writer learns is her process.”

That is so true. When I started trying to write novels for the first time I had no idea what I was doing. I’d never read a single word about how other writers did it. I just started typing.

And I didn’t finish.

So I started typing something else.

And didn’t finish that either.

And so it went.

I didn’t finish my first novel until many, many, many years after my first attempt at writing a novel. The first draft of that first novel took eleven years to write. And I was only able to finish it after I had written my PhD thesis and discovered that, yes, I was capable of finishing a really long document.2

That is I had to learn how to finish. I had to discover my process for finishing novels.

I didn’t sell my first novel until more than a decade after that and it was not that first book I wrote. Or the second one. It was, in fact, a proposal for three books that I hadn’t written yet, the Magic or Madness trilogy.

In the meantime I started to learn to rewrite. A long and agonising process that I’m still undergoing only I really enjoy it these days. Both the rewriting and the learning how to do it better.

And the way I did that was to read what writers I admired wrote about writing. Samuel R. Delany, Ursula LeGuin, Stephen King, Jean Bedford all guided my learning how to write before I ever met them.3 And, eventually, when I met other writers, I was privileged enough to have those delicious process porn conversations and ask those other writers about how they rewrote.

But mostly I learned to rewrite from, you know, rewriting. And I discovered that for me a key part of that is having other people read over what I’d written and tell me what they didn’t understand, which bits were boring, etc. etc. See yesterday’s post.

So what Tim Wynne-Jones said a million times. Learning how to write is learning how you, in particular, write. What your process is. For most of us writers it is incredibly useful to know how other people write. It shows you that there is no One True Way. And exposes you to other ways that you can try. They may not work for you but they may help you discover something else about your process.

One hugely reassuring discovery for me was that I do not write every book the same way. That I cannot write every book the same way. With the novel I just wrote I got stuck and found myself having to outline to figure out how to move on. Me, who hates outlining. But, whatever, it worked.

In conclusion: we writers talk process because it is delicious and fun and because it helps us become better writers. There are a million and one ways to write a book. You do not have to stick to the one way. Unless that is what works for you.

P.S. I wrote “point” and “porn” in the title of this post. Tee hee. I really hope my spam filters are working.

1. Is it from that Pat Cadigan book where every obsession is called some kind of porn? [↩]
2. More than 100,000 words for both the thesis and that first novel. None of my published novels has been that long. [↩]
3. I have only met Samuel R Delany and Ursula LeGuin. [↩]