During my events at the Melbourne Writers Festival I wasn’t asked any wrong questions. My audiences were smart and full of excellent questions. The encounter I blogged about was with an adult aspiring writer who button holed me after one of my events, not during, which makes me think they were aware of just how wrong their questions were.

That was my lowlight of the Festival, the highlight also happened after one of my events.

Isobelle Carmody invited me to have a coffee¹ with her and some of her fans. They were a lovely group² some of whom had been reading Isobel’s work for more than 20 years and know it better than she does. They run a couple of Carmody fan sites. At least two of them were aspiring writers. They were full of the right questions. Smart, technical, writing questions. Questions about rewriting, about juggling characters, about how Isobelle and I manage our writing schedules, about Isobelle’s books, about how we’re all fans, about publishing madnesses (of which there are so many). It was fun and intense and I came away deeply impressed by both Isobelle and her fans and feeling joyous about what we YA writers do and the effects it can have on our readers, including turning them into us.³ I was very sorry when I had to leave.

1. Or in my case, water, because coffee tastes like death.
2. Whose names I have forgotten because I have the memory of a crushed gnat. Sorry!
3. One of us! One of us! One of us!

As I read through fanzines and science fiction magazines from the 1920s onwards, I found many article dismissing these women, which is largely what Battle of the Sexes is about:

The letters were from bored housewives with nothing else to do, the stories by women were crap and only published cause it was like a dog walking on its hind legs, and the women at conventions were only there because their boyfriend/husband dragged them along. And look how few in numbers! See? There are no women in science fiction!²

What those arguments have always failed to recognise is that the majority of readers/viewers of anything are not active in their engagement with a genre/show. Vastly more people were reading science fiction magazines than ever wrote a letter to the editor of an sf magazine or fanzine or went to a con. There are always huge numbers of people who are avid readers/viewers who are never counted by the people who are active in their engagement so those active fans start to assume that they are the centre of their genre and no one else exists.

Throughout my time as a doctoral student (which was pre-internet) I would meet people I never would have pegged as science fiction fans, who upon hearing of my research would start reminiscing about the sf magazines they read as a kid, of the Heinlein/Le Guin/McCaffrey books they adored, and their love affair with Star Trek/Doctor Who/Blake’s Seven. Most of these people had never heard of fandom, had no idea there were conventions etc. They just loved science fiction on their lonesome. I met others who had heard of it but there was no way they would have attended a con because back then it was all white boys and they knew they wouldn’t fit in.

Science fiction cons have been white and male for most of their existence. I remember the first con I went to more than a decade ago. I was terrified. It was mostly male. And, yes, I was sexually harassed. (A very common experience for women at cons.) But I also met many wonderful people who have remained friends to this day and before too long I discovered WisCon, the feminist convention, which was a much more hospitable place for me.³

There has long been speculation about why there are so few non-white fans of the genre. I have always been convinced, based on my research, that it’s hard to know how big that readership is. If as a woman in the 1990s I felt uncomfortable walking into a convention that was about 30% female how much more uncomfortable would someone not white feeling walking into a space that was 99% white?

Over at Deadbrowalking: the People of Color Deathwatch there’s a wild unicorn check in where people of colour who read/watch genre and love it are putting up their hands. So far there have been more than 900 comments. And many of the people talk about their parents’ love of science fiction and their grandparents too. Those 900 plus declarations are just the tip of the iceberg. There are many more fans out there who don’t own computers, or if they do, have no idea that Deadbrowalking exists.

As I read through the pages and pages of comments over there I couldn’t help thinking about all the “Science Fiction is Dying” panels at cons I’ve seen over the years. I’ve always been bewildered by that claim and the prevalence of those panels. But it wasn’t until I read all the wild unicorn comments that I realised what those panels are really about. They’re talking about their brand of science fiction: the stuff that began in the late 1920s and and has been largely white, male, and all too frequently misogynist and racist. They’re not talking about the other streams that were growing up in Japan and China and Europe and, yes, the USA and elsewhere. They’re not talking about feminist science fiction or manga or anime or YA. None of that counts to them.

They’re saying that the white, male-dominated science fiction of boys with their hard science toys is dying.

And, you know what? I won’t weep if they’re right.

1. Which is essentially when USian science fiction began.
2. Not an actual quote. Just my paraphrase.
3. Though I know of a few cases of women being harassed there too.

Because the volume of letters has been going up in the last few months, and I’m not getting any faster at answering, ¹ I’ve decided I’m going to respond to questions asked on this website first. Especially the questions asked on the FAQs. That way the answer will be available for everyone and not just the people who email me. That’s fairer, right?

Currently I have four FAQs:

• There’s the Personal one: Where you can ask any questions that don’t have to do with particular books or writing. But let’s not get too personal.
• The one about Writing: This is where I answer all those tricky writing questions. I’ve answered many already so before you ask yours check that it hasn’t already been asked and also have a squizz at the posts on writing.
• About the Magic or Madness Trilogy: This is where you can ask questions about the trilogy. Don’t read if you don’t know the books. It gets VASTLY spoilery.
• And lastly there’s one for How To Ditch Your Fairy.

Before too long I’ll add a Liar FAQ. And I may add a publishing one. Though at the moment those questions are under writing.

Thus endeth the admin message. As you were.

1. Unfortunately, writing my books and responding to my publishers has to be the top priorities.

I’ve had several people write to me to complain about the ending of this story. They hate the fact that it has a sad ending. Most recently this comment was left by Sarah Wilhoit on the thread that goes with an excerpt from the story:

This is the sadest Story i have ever read. i wish all the people in the villige DIED or she went with him to the kingdom; or he stayed i wish somthing good would have happend. She did have that baby; that was sweet. sheww i cried through this hole book. well when the mob part came.

I’m sorry so many readers found the ending sad because I did not intend it that way. I think it’s a hopeful ending and I think Jeannie made absolutely the right choice. I think the so-called happy ending that readers seem to want would have been a disaster for her.

For those of you who haven’t read “Thinner Than Water” and don’t care about spoilers, the story’s protagonist Jeannie and her dead lover Robbie are from a horribly backward and repressive village that caters to tourists’ taste in celtic kitsch. Robbie is killed by the villagers mid way through the story for not being like them. After several years he returns from the dead to demand that Jeannie follow him into what he claims is a fairy kingdom. She refuses.

Let’s look at her two choices:

a) eternal life in what Robbie claims is a fairy kingdom but which could also be hell with a boy she once loved but hasn’t seen in years who seems quite cross with her

or

b) escape to the city with her best friend, Charlie, and the possibility of education (finishing high school and going on to university to become a doctor as she’s always wanted) and a real life and maybe in the future some other boy (or two or three—in the real world it takes ages to find your one true love if you ever do at all)

Now, choice b) is not going to be the easiest path in the world. Neither Jeannie nor Charlie have any family or friends in the city. Also she’s pregnant and even with her best friend’s help being a single mother is really hard. Especially when you’re still a kid yourself. Plus I don’t think Jeannie’s kid is going to be a normal kid what with its undead/possibly faerie father.²

On the other hand, choice a) is death. Even if what Robbie tells her is true, odds are the folk of the fairy kingdom are going to be hostile to Jeannie. Look at how they convinced Robbie she was cheating on him when she wasn’t. She’s going to be sealed off from the world of humans and stuck in a world without any change where everyone considers her to be inferior to them. Not my idea of a good time. Also what happens if Robbie gets bored with her? What happens if she falls for some other fey person? Or they for her?

I do not foresee a happy end with this choice. Which is why I don’t think choice a) is a happy ending.

I’m truly sorry that some readers were upset by this story. That’s not what I intended. But one of the truths of being a writer is that your work won’t always be read the way you intended.

Perhaps you can put “Thinner Than Water” out of your mind and go read How To Ditch Your Fairy which I guarantee has a happy ending. Truly!

1. The full story can be found in the anthology Love is Hell published by Harper Collins
2. At one point I was going to write a novel about what happens to Jeannie in the city with her alien child.

If you’ve written to me this year and not heard back from me, that means I either didn’t get your email, or you did not get my response. Either way best thing to do is to write me again.

I received more fan mail this year than all previous years added together. (Which, admittedly, was not hard as I received very few until this year.) Of all the fabulous things that have happened to me in 2008¹ those letters are by far the best. The majority were about posts and essays on this website—especially requesting writing advice. The next biggest group of letters were about the trilogy, and lastly about How To Ditch Your Fairy. Though to put that in perspective HTDYF has already attracted more letters in the few months since it was published than Magic or Madness did in its first 18 months of publication. Yay, fairy book!

Thank you so much for the wonderful letters. Each one gave me a tremendous lift. Even if I was already in a good mood they made me happier still. While I’ve always wanted to be a writer, until my first book came out, it had never really occurred to me to think about what that would actually mean, about what it would be like to have readers. I know that sounds a bit bizarre, but I was so focussed on my writing, and on getting published, that I just hadn’t considered that part of the equation: that being published means being read by people I’ve never met. I’m glad that part didn’t occur to me ahead of time. I think it would have spooked me. But it turns out to be fabulous.

Thank you for all the letters pointing out the typos and errors in my books and my blog. I really appreciate them and do what I can to fix future editions. Keep ‘em coming!

Thanks to everyone who wrote and begged for more books in the Magic or Madness and HTDYF universes. I’m pretty sure that HTDYF is a standalone and the MorM series a trilogy, but I’m thrilled my books left you wanting more. The best way to get more is to write it yourself. There are gazillions of wonderful fanfic sites out there. You could add your own stories about the further adventures of Tom and Charlie. Go forth and create more fanfic! Mash up MorM with Buffy or Nana. Or HTDYF with Naruto! What would be cooler than that?

Thanks for all the tips on quokkas and mangosteens and cricket and 1930s fashions and photo sites. Much appreciated! Though I’m horrified that any of you are settling for dried mangosteen or mangosteen juice. Ewww. There are no substitutes for the actual fresh fruit!

Good luck with your writing. Yes, sometimes it can be hard and you don’t know what’s going to happen next. That happens to the professionals too. The only thing you can do is keep pushing through. Don’t give up. But remember to have fun with it too. One of the best things about not being published yet is that you have heaps of time to experiment. Write the same story in all the different points of view. See which one works best. Try writing a story backwards. Starting at the end and working your way towards the beginning. Write in lots of different genres. Muck around! Have fun!

Thanks for your letters, your comments, and all your support. It means the world to me.

xo

Justine

1. Of which more on the last day of the year.

Au contraire.

Many of my favourite blogs are by writers. I love writers’ blogs! I love reading about their struggles with their writing, about their thoughts on craft, their battles with their psychotic neighbours, the zeppelins they build. I love learning how different most writers approach to writing a novel is from mine. In fact, later this week I’ll be posting a bit more about outlining versus winging it. Cause who gets tired of that topic? Not me!

I frequently encourage writer friends to start blogging. In fact, I feel a little swell of pride about certain writers’ blogs because I’m convinced my nudging them is part of why they started blogging. Go me!

There are a gazillion positive effects of blogging: direct communication with other writers and readers you wouldn’t otherwise meet, becoming part of communities,¹ having fun, talking craft, encouraging everyone to try fresh mangosteens² etc etc.

And, yes, if your blog entertains people there’s a chance that some of them will wind up buying your books. All I’m saying is that if that’s your sole motivation for starting a blog then odds are you will be disappointed.

It’s rubbish that starting a blog is an excellent way to flog books. The majority of brand new blogs have teeny tiny audiences. It takes ages to build one. And if all you’re doing is flogging your books you will never build an audience. Because a blog full of exhortations to BUY MY BOOK is pretty much the most boring blog in the universe.

Which does not mean that I don’t want you to buy my books. I do! But only if you want to and if you can afford it. But I’m just as happy with you borrowing them from the library. Support your local library!

Or not reading them at all. Life’s short and there are many wonderful books. I totally get reading Dorothy Dunnett’s Lymond chronicles or King Hereafter or anything by Jean Rhys or Angela Carter or Jane Austen before you’d read my books. I’d certainly rather read them or Alice in Wonderland or way too many books to name than anything I’ve written.

Quite frankly I’m just as thrilled by the people who enjoy this blog as I am by the people who enjoy my books. The fact that there’s often no overlap between those two groups is awesome. It means I can amuse people who have zero interest in YA or fantasy but have a fascination for cricket or mangosteens or quokkas or any of the myriad other topics I crap on about.

Which is yet another reason I love blogs so much. They’re places where we can share and discuss our obsessions. There are few things more fun than that.

1. Especially important if you live in a small town far from other writers.
2. Dried, juiced, tinned mangosteens are all abominations. The one true mangosteen is the fresh fruit. Which can now even be purchased (for a fortune) in the US of A.

Never apologise for borrowing a book. On the big scale, borrowing books is good because that’s what keeps libraries alive: the more people who borrow books from libraries the more likely they are to be funded. And the more libraries there are the more people who are reading. Most people can’t afford to buy every single book they want to read. I know I can’t. That’s why we have libraries. That is a very very good thing.

Borrowing books from your friends and talking about them is excellent because it helps strengthen friendships and build communities. Plus it’s one of the best ways of finding out about good books. I heartily approve of borrowing and lending books. Why, I even do it myself.

I also approve of books being loaned and borrowed because it helps my career. Every time someone borrows one of my books from a library that justifies that book’s existence there. And if it’s borrowed often enough and starts to fall apart, the library will order more copies. Or if it has an excessively long wait because too many people want it, the library will order more copies.¹

Certain books I loan out to friends never return, so I buy another copy. There are books I’ve borrowed from friends, that I loved so much, I bought my own copy.

All of which helps the author of those books.

Word of mouth is the most powerful tool in helping a book sell. What better word of mouth could a book have than lots of people eagerly borrowing and lending it? If reading a book for free destroyed a book’s chances of success then why do publishing companies give away thousands upon thousands of copies of books in the form of Advanced Readers Copies (ARCs) every single year?

It can’t just be because they’re crazy. Though maybe I should ask Maureen? She knows everything.

To recap: borrowing books is good.

1. I’m assuming a well-funded library. Sadly, that’s not always the case.

Instead I will be brief:

I am thankful for the fabulous readers of this blog. Whether you comment or lurk I am grateful for your continued support.¹ Without you there’d be no point. You all rule.

Happy Thanksgiving!

xo

Justine

1. Even those of you who kvetch about my unorthodox grammar.

The argument arose because I had a big line at NCTE¹ on account of the lovely Professor Nana talked very enthusiastically about How To Ditch Your Fairy. Bless you!

In my defense

1. Where I was sitting I couldn’t see the queue so I didn’t know how long it was.
2. English teachers are interesting and I wanted to know what grades they taught and where they were from.
3. Just signing a book is boring. I like to talk to people and figure out why they want their book signed.
4. Scott is a hardened pro; I’m still a (relative) newbie.

What do youse lot think? Would you prefer an author who rushes to make the line go quicker? Or would you prefer an author who takes the time to chat with everyone?

1. National Council of Teachers of English

Be warned: there are some spoilers for Scott’s Uglies books.

Questions for Justine:

Q: Will there be any more books about New Avalon?

A: I don’t plan to write any. Of the next two books I will publish, one is already written—the Liar book—and the other one—set in NYC in the 1930s is under way. If I did get an idea for another book set in New Avalon (where How To Ditch Your Fairy is set) it wouldn’t come out until 2011 at the earliest.

Q: Do schools like New Avalon Sports High really exist?

There are all sports high schools around the world. But I hope they’re not quite as strict as NA Sports High. I didn’t base it on any particular high school. Though I was influence by a doco I saw about girls training to be gymnasts at the AIS (Australian Institute of Sport). I was shocked at the long hours these young girls were training and at how strict their coaches were. Yet they seemed to love it. I remember one girl being asked how she could love such a tough training regime. She looked at the journo asking her the question as if they were crazy: “Are you kidding? I get to go to the Olympics!”

A: Is all the slang a mix of US & Australian or is some of it made up?

I made up the majority the slang, mostly by playing with my thesaurus. Thesauruses are fun! My favourite is “pulchy” for cute or good-looking. I’ve always thought “pulchritudinous” was the most hilarious word ever because it sounds so ugly yet it mean beautiful.

Questions for Scott:

Q: Did Tally and David get together at the end of Extras?

A: It is up to you, the reader, to decide.

Q: Why did you k*** Z***?

A: One of the dumb things Hollywood does is show us wars in which only extras and minor characters get killed. But in real life, everyone is the star of their own movie. So in real wars, everyone who’s killed is someone important—not just an extra or a bit player.

So once I realized that Specials was about a war, I felt it would be dishonest for only minor characters to get killed. Someone important to Tally had to die, and Zane was in the wrong place at the wrong time.

Q: How did you find all the thirteen-letter words to use?

A: At first I found them “by hand.” Whenever I ran into a long word I counted the letters, writing it down if it had thirteen letters. But after a while I developed a strange superpower, the ability to spot
tridecalogisms by sight. Then my sister-in-law bought me a crossword dictionary that listed words by length, which was cool. Then finally I found a website that was designed to find words you didn’t know who to spell. I typed in thirteen question marks, and it generated a giant list! (I can’t remember the site name now . . . )

Questions for both Justine and Scott:

Q: Are you friends with any other authors?

Justine: Yes. Loads and loads of them. It’s fabulous. We read each other’s mss. critique them bounce ideas off one another. I’m very lucky.

Scott: We also write at least once a week with several authors: Maureen Johnson, Robin Wasserman, E. Lockhart, Cassandra Clare, Lauren McLaughlin, are the ones who most often show up.

Q: Is there any news on a movie?

Justine: While there’s been some interest in turning How To Ditch Your Fairy into a movie nothing has come of it so far. Trust me, if there’s any news on this front I will sing it from the rooftops. Though I think the Fairy book would make a better TV series than a movie.

Scott: The Uglies movie is still waiting for a script, as far as I know. I think Hollywood doesn’t know how to make a movie about, you know, ugly people.

Peeps is with an independent producer and screenwriter, and So Yesterday is being looked at. More news on that soon (probably).

But no auditions yet!

Q: When brainstorming ideas for your next book do you come up with multiple ideas? How do you choose the one to push forward with?

Justine: I pretty much always have a number of novel ideas to play with. I tend to talk about them with Scott and my agent, Jill, as well as my editor, Melanie, and a few writer friends. I’ve been talking about writing a book about a compulsive liar for ages. Whenever I mentioned it people would get very enthusiastic. I was too afraid to start though cause it seemed like it would be really hard to write (I was right) so I delayed until Scott and Jill and Melanie all ganged up on me.

I guess I let people bully me!

Though honestly all the bullying in the world wouldn’t have gotten me going if I hadn’t finally figured out a way to write the Liar book. So I guess my real answer is that the book that begins to grow and make sense is the one I wind up writing.

Scott: I usually have one idea that I really want to do most. I don’t come to that conclusion by any conscious way; it simply bubbles up in the back of my head as the most interesting idea. I think this ability comes from having written, like, 18 books—I’ve tried lots of ideas, and so am getting better at telling the more productive ones from the boring ones.

Q: Do you have any advice for young writers?

Justine: Loads! You can find some here, here and here. Though all my advice applies to beginning writers of all ages. In a nutshell my advice boils down to:

• Don’t be in too much of a hurry to get published. Learning to write well is the main thing. If you try to publish before you’re ready you can wind up very discouraged. While you’re learning o write you should have fun with it. Try different styles, different genres, mess about, get your hands dirty!
• Read A LOT. Read and read and read and read! Think about what books you like best and try to figure out what it is about the writing that works for you. Then give it a go. Think about what books you hated and try to figure out why the writing was such a disaster. Don’t write like that.
• Write a lot.
• Learn how to critique other people’s work.
• Learn how to take criticism. If you want to be a professional writer you’re going to have to learn to take criticism and the sooner you start practicing the better!

Scott: Here’s the “writing advice” category from my blog, including some advice from guest blogger Robin Wasserman: Writing Advice.

Q: Which is your favourite cover?

Justine: I’m assuming you mean of one of my books. I’ve been very lucky I like every single one of my covers. But I think my absolute favourite is the one Cat Sparks did for Daughters of Earth.

Scott: Probably Extras. The fun part was that I got to work on it from the beginning, from choosing the model to picking the final shot.

The full story can be found here.

Q: Why are most of your protagonists girls?

Justine: Er, um. I don’t actually know. It was not by design. The first novel I wrote has multiple viewpoint characters many of whom are boys. My second novel is first person from the point of view of a boy. However, neither of those books sold. My first published novels (the Magic or Madness trilogy) has three view point characters two of whom are girls. And then How To Ditch Your Fairy is first person from the viewpoint of a girl. So far the books I’ve written with more girl characters are the ones my publishers have wanted. We’ll see if that pattern continues.

I don’t really consciously decide to make my main characters girls or boys. Nor do I consciously make them black or white. That’s just the way they are. Once I start getting a sense of their voice I’m learning at the exact same time all those other things about them: their race, gender, ethnicity, opinion of Elvis etc. Hope that makes sense!

Scott: I’ve had a mix of male and female protagonists. So Yesterday and Peeps were both from the point of view of boys, and The Last Days and Midnighters were from both male and female POVs. But I guess more people have read Uglies so Tally has left the strongest impression. Since that series is about the pressures of beauty and looks, I figured that a female protag would make more sense. Certainly, boys do worry about the way they look. But overall, girls are under a lot more pressure to freak out over every zit and extra pound.

Though, as I say in Bogus to Bubbly, I actually did try to write Extras from Hiro’s point of view. But the interesting stuff kept happening to Aya, so I moved her to center stage. I still don’t know exactly how it worked out that way.

And then there was this:

Rebecca’s superb anti-uni***n T-shirt. Doesn’t she look fabulous? She made me one too! Thank you, Rebecca, it fits perfectly. I’ll be wearing it here at NCTE.

Texas is always so good to me.

Rewriting the Liar book is all I am doing right now. It is the beginning and the middle and the end of each day. It doesn’t matter how much I want to play in my brand-new, shiny, shiny 1930s novel, or how much I want to gallivant about town, I’m not allowed.

I will probably still blog. If I don’t blog my head explodes. But I am unlikely to respond to your gorgeous comments. Though I will read and cherish them as I always do. Of course once I’m finished with the rewrites I head to Texas.

Right then, back to the grindstone goes me.

1. Or, um, possibly next Monday.

I recently said NO to several antho invites. To Lauren Myracle’s fabulous Halloween dare. Not to mention doing an appearance on the Rachel Maddow Show.¹

Remember, how I got my mail down below 100? *Sigh*. Already they head back to scary out-of-control territory. I doubt I’ll be able to catch up until December at the earliest. Sorry!

I will attempt to keep blogging. You know, in order to stay sane, and delude myself that I’m actually communicating with real live breathing people, and not just communing with Scrivener and all the people I’ve populated it with. Plus, well, I’m kind of a blogging addict . . .

Thank you all for continuing to read and comment here. In the midst of this insanity it’s lovely to hear your voices. Bless!

1. Okay, not really. But a girl can dream, can’t she?

Please don’t!

I do not write this blog to get people to read my books.¹

I write it cause it’s fun and because I’m shockingly opinionated—seriously there is NOTHING I don’t have an opinion about²—and I like to share. Blog writing is the most relaxing fun writing I do.³

It saddens me if any of you are feeling guilty about not reading my books. Put that guilt away. You are excused from ever reading them. So no more apologies, okay?⁴

In other news an interview with me can be found here. Thanks for the great quessies, Cynthia.

Brooke Taylor is giving a copy of How to Ditch Your Fairy away for Faery Week of her Monster Month of Giveaways.

Bloomsbury’s HTDYF contest also continues. There are several different prizes but I think this one’s best: $150 gift certificate to Forever 21.

Shortly, I am off to Toronto. If you’re there come see me and Scott Monday:

Monday, 27 October, 7:00PM-8:00PM
Indigo Bookstore
Yorkdale Mall
3401 Dufferin Street
Toronto, Ontario

1. Ewww!
2. Ask me about wolves some time. Or chewing gum. Or musicals. Or corks.
3. Way better than smelly novels.
4. But do read E. Lockhart’s Disreputable History of Frankie Landau-Banks or Coe Booth’s Kendra or The Thief by Megan Whalen Turner.

Here’s hoping I’ll have as much fun in Texas as I did in Northern California, Michigan, Ohio and Kansas City. (The ribs last night were AWESOME!)

xox

Justine

I can’t wait to find out what everyone’s reading in Philadelphia, Larchmont, and next week in Michigan.

Oh, and don’t forget, next week is Banned Books Week as this excellent editorial reminded me. (Via Lisa Yee.)

Tragically, it’s not up to me. My tour is organised by my publisher, Bloomsbury. More specifically the wonderful Deb Shapiro is the tour boss. She’s the one who spends ages finding out which book shops/trade shows/schools are interested in having me show up. Then she had to check all the possibilities, check my availability, and then line up all the places and dates to make it all fit together. Having fans in an area is not enough to guarantee an appearance.

According to the venerable agent, Molly Friedrich, being a publicist is the hardest job in publishing. I don’t doubt it, watching Deb at work. Because she’s not just organising publicity for my book, but for all the other Bloomsbury Children’s books. I suspect Deb is the hardest working woman in publishing in the entire world. I do not know when she sleeps.

Most writers set up their own appearances. Both Scott and me did. We volunteered for reading programs like the NYRSF, which has been going for many years now. We organised events where we lived: Sydney or New York City. Or at cons we attended. I had a book launch at a con in Melbourne and one in Madison, Wisconsin. Early in our careers we didn’t have the resources (time or money) to set up a book tour of our own. We didn’t have the contacts a publicist has and we couldn’t afford to hire one. Also there was no demand. When you’re unknown it’s hard to get people interested in hosting you.

Basically, if you want me to come to your town you need to badger your local book shop to badger my publicist to get me there.

I hope that explains how it works. If I wind up not going to your town or city it’s not because I don’t love you, but because no book shop or library there wanted to host me. Or because there was no way it could be made to fit into the tour schedule.

And remember, I don’t have the full tour schedule yet. There will be more places and dates added in the next couple of weeks. Stay tuned!

Goodbye!

If I worried about what each and every potential reader thought of me I wouldn’t write novels. I wouldn’t keep a blog. I wouldn’t express opinions out loud. Hell, I wouldn’t venture outside my house for fear of saying something that might accidentally offend someone.

I have news for you: Many of the writers/actors/politicians/sportspeople you admire hold at least one or two opinions you don’t. Do you seriously want to silence them all?

I have been known to disagree with some of my favourite writers and bloggers. Me, I use voodoo dolls when they say wrong things. But I’d never be so rude as to tell them where the pins go.

Stop reading me if you want. But don’t post comments that “threaten” you’ll stop reading me.

All such threats will be deleted. After all, you’re claiming you want to disappear from this community. I’m just lending you a hand.

Justine, I was wondering what you would do in a situation like this:

“As some of you may have heard, my partial draft of Midnight Sun was illegally posted on the Internet and has since been virally distributed without my knowledge or permission or the knowledge or permission of my publisher.”—Stephenie Meyer

Since I don’t really write or anything I don’t know what I would do. Would it bum you out to where you couldn’t write it anymore or would you just ignore it and keep going?

I’d be very unhappy and hurt that someone had betrayed my trust like that. I recently sent my most recent novel, Why Do I Lie?, to a bunch of people for comments—if they’d passed it on to other people to read I would be furious. That’s an enormous violation of trust.

As for what I’d do in that situation? It’s very difficult for me to say. I’m not Stephenie Meyer. It’s really unlikely an unfinished ms. of mine would wind up online and widely circulated. I don’t have anywhere near her fan base. I can definitely imagine the whole thing souring me on the book. On the other hand, I really like to finish what I’ve started. Not to mention that my manuscripts tend to change a lot after I’ve finished the first draft. So what was distributed would not bear much resemblance to the final book.

I certainly feel a great deal of sympathy towards Meyer. That situation sucks.

But I’ve had a nudge from Certain Important Parties about the out of dateness of the FAQ and, erm, it’s been moved up the priority list. So here are at last are the answers:¹

Gina asks, How do you write a novel? you said in another post that you have changed how you write them.

Tricky question! The short answer is: Scrivener. I promise that in the future I will answer in more detail. But it involves writing scenes out of order rather than from beginning to end. The book I just finished was written pointillist style.

Anon asks, Whats it like living in 2 countries?

(For those who don’t know, me and Scott spend half the year in Sydney, where I’m from, and half in NYC, where Scott has lived the majority of his life.)

Living in two places is most excellent. I have two sets of friends. Two sets of favourite restaurants. Two sets of everything really. When it’s six months at home and then six months in New York City I rarely get homesick and nor does Scott. Works out pefectly. Also lots of summer. I love me some summer.

Ariel Zeitlin Cooke asks, Will there be another book set in the MORM world? Will there be another book set in the HTDYF world? Have you ever written non-fantasy? (And then you can talk about the new one) What other books do you recommend?

At the moment I have no ideas for more books set in the Magic or Madness world or in the How To Ditch Your Fairy world. That doesn’t mean I won’t get some great idea later on. But right now the next few books I have planned have nothing to do with those worlds.

Why, yes, Ariel, I have written a non-fantasy book. I finished it just this week as it happens. It’s called, Why Do I Lie? and is set in New York City. It’s told from the point of view of a compulsive liar and involves a murder. I think it is the best book I have written. But then I think that of every book I’ve just finished the first draft of.

Everyone must read The Master and Margarita by Mikhail Bulgakov and Flowers in the Attic by V. C. Andrews. For very different reasons.

Diana Peterfreund asks, You seem to be drawn to very unusual names for your characters: Reason, Jay-Tee, and now Charlie and Fiorenze. I know you’ve talked about the story behind “Reason,” but what about the new books? Also, how did you come up with the idea for personal fairies? And why do you love Elvis so much?

Charlie’s not an unusual name! The names in How To Ditch Your Fairy come from two sources: 1. Famous sports people, 2. I borrowed them from teenagers I met doing appearances in libraries, schools and book shops in Australia and the USA.

I answered the question of how I came up with the idea for How To Ditch Your Fairy here. Is good story because I have good friends. If you are a writer it is best to have many friends for they are much goodness in the giving of ideas.

I think the question should be Why doesn’t everyone love Elvis? The story of the genesis of my Elvis love is here.

hillary! asks: And sports? Why do you love sports so much? And what’s your favorite color? and what type of car do you have, if you have one, if not, what kind would you like? Do you want a chimpanzee or a monkey or a teacup piglet?

Again the question is Why doesn’t everyone love sport? Explaining my love of sport is like explaining my love of breathing or eating. Without air and food and sport living is impossible.

All colours are good colours. Except vomit yellow.

I do not drive. I have never learned how. I dislike cars. I think they are the worst invention of all time and responsible for untold carnage. Not just to all the people killed in and by them but for making us so dependent on oil. I wish cars did not exist. Our world would be in much better shape. We need to switch to bicycles and horses. And airships. Transmat beams would also be most excellent.

I want no pets or teacups of any kind. I travel too much to have a pet. (Though if I could have one it would be a quokka.) Also I don’t drink tea.

Patrick asks, Have you ever played organized basketball?

Briefly in primary school. I have never excelled at team sports. I, um, don’t take direction well.

Liset says, I think in your FAQs you should write more about your marriage, I know it’s extremely personal but I find it so interesting! (way more than any celeb couple!)

The truth is Scott and me aren’t actually married. We don’t even live in the same flat or country even. We just thought it would be excellent publicity if we pretended we were two married writers in the same field. Sadly, it has generated almost no publicity. We should have pretended to be monkeys instead. Next time!

Benjamin Rosenbaum asks, What do you feel is the essence of inspired play in the loose in fifteen-man rugby? In the scrum? The line-out?

I have no opinions about rugby. Or league for that matter. I have nothing against them either. But I live in perpetual summer. They are not summer sports. Thus I never see them.

Lizabelle asks, What’s your favourite place in Sydney (apart from the cemetery in Newtown)?

There are so many! But right now—other than my parents’ house—it’s the Botanical Gardens.

Brittany asks, The devil books, must they be typed and submitted in a particular format? Or is standard Times New Roman 12pt Single spaced ok?

One of the nice things about being a published author is that I submit my books electronically. Thus the font I use is irrelevant. The publisher can change it. When you’re unpublished and having to submit paper it’s best to stick to the industry standard stuff: double spaced, readable font, single-sided, etc.

For those wondering why Brittany asks about “devil books” it is because of this post where I say that books are teh devil, which they are.

Feel free to ask more questions. Is there anything you’re burning to know? It doesn’t have to be about me. In fact questions that aren’t about me are more fun. Though, um, Certain Important Parties would prefer the quessies be about me and my books. But, honestly, how boring is that? Very!

1. That’s right. You need to know nothing more. From this point on you have all knowledge necessary!

On the other hand, Joss Whedon owes me big time for the mess he made of season seven of Buffy. The creators of Veronica Mars owe me BIG TIME for the monstrosity that was season three of Veronica Mars. And do not get me started on the egregious ways in which Weeds has jumped the shark. Head should roll!

So, um, I appear to be in two minds on all of this. Writer Justine does not agree with fan Justine. But whatever the contract with the reader is it does not include having to fulfill all the reader’s desires. On account of that not being possible.

Hmm, I repeat myself. What do youse lot think?

1. My apologies for the worst sentence ever I’m hoarding the good ones for the Liar book.

I am now five stories away from the bunker in the secret place of wifi access. I have snuck out while Scott’s not looking to have a peek at the wider world and to see what’s happening here on me blog. Thanks much for all the fascinating comments on previous post. The discussion has left me feeling much more relaxed about the writers I refuse to read. I am zen.

I wonder how zen Stephenie Meyer is feeling? I don’t think I’ve ever seen such a negative reaction to the final book in a series before. I’ve seen Scott cop some flack because of the way he ended the Uglies and Midnighters series but wow the response to Breaking Dawn is, um, intense.

The whole thing makes me grateful that I’m not nearly as popular as Meyer (or Scott for that matter). What would it be like to have your fans turn on you? I mean the Amazon reviews are dripping with anger. I’ll be honest: I feel awful for Meyer. Negative reviews are hard to weather at the best of times. Plus everyone I know who’s met her has said what a lovely person she is.¹

I feel like saying to her fans: Relax, it’s just a book! But that would be hypocrisy of the worst kind because I felt the same way about the third book in His Dark Materials. You betrayed me, Mr Pullman! How could you? I WILL NEVER READ YOU AGAIN! Which was a lie, but I was ANGRY.

The Twilight phenomenon has been fascinating. There are thousands reading for pleasure now who weren’t before Meyer’s books came along. It’s a wondrous thing. Other than Harry Potter these are the bestselling children’s/YA books we’ve seen in a long time. I’m wondering if this last book has ended the phenomenon. It seems unlikely. I’m also wondering if we’re going to see another such hugely successful YA series. Or if Potter & Twilight are it for the next decade or so.

And now I must return to the bunker. But before I go I’ll note that there have been some particularly nasty spam attacks. Sorry if your comment winds up in moderation as a result. I promise to free it ASAP. And sorry too for all those unanswered emails. When the book is done I will catch up. Promise.

1. Not that this would be fun for her if she wasn’t lovely . . .

I always respond by pointing out that when I discovered that Knut Hamsun was a fascist, who thought Hitler was the best bloke ever, it didn’t stop me form loving his fabulous novel, Hunger. Writers are not their books!

As a writer, it freaks me to think that some people will stop reading me, not because of my books, but because of something I’ve said or done. I feel all defensive every time someone tells me they’ve stopped reading Orson Scott Card because of his homophobia. Or John Green because he supports Barack Obama. I love Elvis. Is someone not going to read me because of that? Should I shut up and keep my opinions to myself for fear of offending potential readers? But why should we writers have to shut up? We are not our books. They is independent of us. You make them yours, dear reader, when you read them.

And yet, I must admit that there are a few writers I have met and disliked so much that I have never read any of their books again.¹ How is that any different? Am I being a hypocrite?

Yes, I think I am.

Why should a reader keep reading the work of someone who pisses them off? Sure some readers can make the distinction between the writer and their work. Like me still being able to read Knut Hamsun. But it sure does help that he’s dead and that I’ve never read anything but his fiction. I haven’t read his online frothing at the mouth outpouring of Hitler love. It’s a lot harder to achieve that distance with a writer whose offensive views are all over the beastly intramnets. And worse when you’ve been subject to their unpleasantness in real life.

Some readers can still manage to make that distinction between book and author, but many can’t and, really, why should they? There are so many great books out there which makes cutting your choices down a bit of a relief. I’m pretty sure there are enough books on my TBR pile right now to last me till the end of time.

I’m not going to censor myself either. Elvis haters are never going to like my work. I’m cool with that. Their loss.²

What do you lot think?

1. Or at all in the case of writers whose work I hadn’t read when I had the misfortune of meeting them.
2. Not having the Elvis love, I mean.

This one really tickled me as it is from an eleven-year-old reviewer who is also a fan of the Magic or Madness trilogy. Have I ever mentioned that I was worried about what my MorM fans would think of HTDYF seeing as how it is so very different from the trilogy? This review set my fears at rest.

The reviewer is not the youngest fan of the book. I received a lovely fan letter from a nine-year-old HTDYF fan not too long ago. That’s especially excellent as me and my publisher were really hoping the book would cross over into middle grade. In fact, there was some discussion about publishing it as middle grade instead of YA. Bloomsbury decided against because many teenagers are thought to be less willing to read middle grade than they are YA. Whereas middle grade readers will read up. Bless their hearts!

Then there’s Jennifer Hubert Swan’s review at Reading Rants:

Funny and whimsical, this isn’t just a fantasy, but a romance, sports, and even a bit of a mystery novel. Larbalestier threads sly pokes at celebrity obsession and adolescent self-centeredness throughout Charlie’s snarky narrative, which will delight close readers and us “olde” teens who fancy ourselves above all that? Personally, I could use a “no one ever sits too close to me on the subway” fairy, or a “write brilliant book reviews in no time at all” fairy.

Once again, a reviewer gets what I was going for. I am blessed!

Have I mentioned that one of the most wonderful things in the world is being reviewed by smart, articulate, witty reviewers. Seriously, writing a novel takes AGES. When you’re writing and rewriting and dealing with copyedits and proofs and all the rest of it you start to think that it will NEVER end. You become convinced that the book will never be read by anyone but you and the people who HAVE to read it as part of their job.¹ And when other people do read it they will just lecture you about serial commas and plot discontinuities. And that all the smarty-pants, I’m-so-clever stuff will only be noticed by your mum. So reviews (and letters and comments from readers) like this make everything seem worth it. I am not alone! My novel exists beyond me and some people think it makes sense! Hallelujah!

Further to the last post: I may have given the impression that I am against reviews or think less of reviewers. Au contraire! See above paragraph. Writing a smart review is one of the hardest things to write in the world.

1. Um, okay that does kind of include some reviewers, but not that many.

My blog, my rules.

Is long-standing policy of this blog never to name the author or title of books I don’t like. This will never change.

I don’t name them because authors are the most sensitive creatures alive. Layers of their skin disappear every time one of their babies books is dissed. This is why agents and editors never pass along any but the good reviews. They do not want their authors to wind up skinless because then they’ll be in intensive care unable to write more books.

Then there’s the other kind of author who seek out and destroy those who speak less than praise-ingly of their books. And—even worse—the fans who do likewise. Fans can be VICIOUS. What can I say? I am a coward.

The only time I will name a craptastic book or author is if they’re dead AND they don’t have a rabid fan following. Mentioning my dislike of a certain detective by a long-dead author led to my receiving hate mail. I have learned my lesson: Passionate readers are to be FEARED.

So far that means I can only tell you how much I hate hate hate hate Moby Dick. That’s because American Lit scholars aren’t very scary. I can so take them.